Liu Xun 's Literary Theory Criticism System

The first part of the paper briefly introduces Liuxun’s life experience,family tradition of learning,the pain of subjugation,adherents of mentality and works spread,who is the adherents of the final song and early yuan dynasty scholar.The first chapter is the literary ontology. First of all,his view on text and taoist. Liu Xun’s theory of "dao" contains three aspects of content,such as his thinking about confucian ethics; political enlightenment function and the laws of nature. Liu Xun think "dao" is content and fundamental, the text is formal and secondary. His thought of taxt and taoist inherited the traditional confucian thought,and influenced by the song dynasty neo-confucianism.In addition,he laid stresses on Dao,but it is not means that he makes light of the text. He affirmed the independent value of the text itself, highlights the importance of the text.Secondly, he emphasis on literary qualities of lyrical,he love "Sadness" theory of traditional Chinese literary thought in poetry criticism and creation practice, with plenty of emotion, sincere and moving as the standard. These were related with his adherents of identity.The second chapter is Literary creation and criticism. The chapter first discusses Liu Xun’s theory of "enlightenment". Liu Xun had divided it into two tiers. One as "enlightenment", namely,inspired,the other one as the "realization", namely the deep essence of things to be suddenly enlightened insights. Liu Xun think deep "the enlightenment" state is not easy to achieve, but need some kind of hard work. There are three specific method. The first thing to get rid of the bondage of predecessors’footnote and ideas; secondly, get rid of the ancient concept of cases; the last to get out of the book theory, pay attention to the experience of life. Liu Xun "enlightenment" theory is aimed at how to achieve "unique" writing poetry realm."Extraordinary Realization" is understood by Liu Xun is "a statement from the self" and "contented" work. Liu Xun’s "Extraordinary Realization" view is reflected his personal subjective consciousness,independent consciousness and innovation consciousness,the pursuit of freedom and calm of individual spirit and soul. Then explore Liu Xun followed the rules which contained framework, hub, skeleton, context and appreciating view when he was working and criticizing. Poetics, speak promotes meaning in the art of composition, in syntactic speaking style, in the rhythm emphasis on musical. Finally,exploring Liu Xun’s standard of criticism.He advocated that the article approaches allow comments,against commentting on the article by family hierarchy. Liu xun advocated traditional method, but not despise learning now; respected saints, but does not scorn the successors of learning; opposed to decide the merits of the poetry and the level of talent on the reproductive and the reputation.The third chapter is the literary aesthetic style and the theory of value. The first is the naturalness articles.Liu Xun had in love with aesthetic style which contained natural, fresh, elegant. When tasting literati poetry with aesthetic criticism standard which is "natural, no chisels marks, roll back and forth freely".He thought that the aesthetic must achieve the realm what is"no trace to be found." Because liu xun believe in the "natural", he strongly opposed by Yang xiong, Liu Chenweng et al. who pursuit of language forms of "difficult" and "interpretation", he denounced abuses of Changwu literature. Followed by the strength of character and gloomy. Liu xun react the strength of character as the primary criterion for evaluation of writers’works and estimate the advantages or disadvantages of the text which have "character" or not.He held the "strength of character" to weaken soft leather extravagant literary culture of the Southern Song Dynasty.Finally,dicussing Liu Xun’s concept of recording history with poetry. By the influence of such factors as the thought of Confucian "and" promising, Du fu’s "poetic history" traditional, principle of sima qian’s "records", and the song dynasty rich historical culture,he used historiography "record" principle to created a lot of poetry which of heroic deeds to record valiant scholar courageously against the enemy, swear unyielding and martyred and so on.Liu xun agreed with that the value of the function of lack of literary to record history.The fourth chapter is the stylistic theory.Liu Xun improved the creation technique of prose.Liu Xun is writing Forty-six at the time of the creation of a parallel prose text abolish dual blunt Handicraft, piling disadvantages of rhetoric,piling disadvantages of rhetoric,breaking the strict four-character or sixth of the syntactic,secondly, in order to investigate he write Sao body,"Ming" mostly verse, mainly in four words,but Liu Xun is writing with Sao body,Sentence of freedom,In short verse broke the neat features to help express and express emotion Hearty informality.The fifth chapter is The characteristic of Liu Xun literary thought.His conflict with the facility to talk about literary ideas,Master Ming both papers, and the main contented; both primary testimonies, and the main natural and seemingly contradictory confusion,both primary testimonies, and the main natural Seemingly contradictory confusing, but in reality the self-consistent harmony, dialectical accessible.The reason is that his life experience,Home school of thought,Subjugation of other factors contributed to his experience with open-minded and highly rational thinking mind to examine literature,Formation of the "master of ideological dictates. Secondly, Liu Xun and literary thought before the late shift and also somewhat different.Early preferences when Liu Xun,After the subjugation, when rebuked the text as "a tool of subjugation";Early emphasis on formal beauty of art literature, the latter focusing on the U.S. literary integrity, to promote "Reflection of Life."Finally, efforts must be made to Liu Xun’s inheritance and contribution.