Identity Freedom And Cultural Capital - A Study Of Folk Writing In Poetry In The 1990s

The poet Yu Jian thought that90years was to return to the folk era poetry. Folk writing was an important part of the twentieth Century90’s poetry writing. And this paper studies it. Folk poets advocated "poetry to the language so far","refusing metaphor" poetics idea and personally involved in the poetic exploration, had an important influence on the diversity of writing poetry in nineties and the new century’s.Since90’s in last century, the partial transformation of contemporary poetry China made on spiritual intension of the whole social political, economic, cultural consumption psychology, and diversification of writing poetry got on the stage of the times. Compared to the80’s poetry, the forms of discourse had a certain aesthetic legitimacy to its own unique language of the logic construction, especially the folk writing as the representative poems shows change on narrative, personalized and colloquial. This "change" with the times and cultural background were closely related. Therefore, investigating from the era of cultural background and values of folk poetry writing is very necessary.Folk poetry writing’s production and development essentially originated from the cultural background, transformation into market economy, and the value of sweeping western culture thoughts view caused the identity of poet of free, it will feedback in writing poetry. In addition,90’s "poetry discourse" was a "literature field" by French sociologist Pierre Bourdieu. Folk writing and academic writing were struggling for the cultural resources and the right of discourse which constituted one of the90’s the most influential cultural landscape. Starting from the literary field and other social theory, combined with the folk poetry theories and analysis of the text writing, we can clear out of its development, the significance of poetics more clearly.The whole paper is consisted of three parts. The first chapter explains the historical context and identity free characteristic of the folk writing, and points out that the folk writing’s origin and cultural background. The second chapter is the key. It not only points out many differences exist in the spiritual standpoint, way of thinking, discourse resources between folk writing and intellectual writing, but also start from the Angle of literary discourse behind the ideology of infiltration, cracking hidden behind the cultural power. The last chapter tells us that the differentiation and the reasons of the differentiation, as well as to the new century poetry writing objective influence. Objective, calm analysis of the folk writing historical context, writing features, exploring the cultural turn cause, revealing the cultural capital hidden behind the poetry writing from the angle of sociology, can help us to have a more comprehensive understanding of the90’s, also contribute to have a theoretical guidance on the development and innovation of the new century poetry writing.