The Fusion Of Folk Elements And Unique Language

Bella Bartok (Bela Bartok,1881-1945) is one of the outstanding folk music, twentieth Century, is thefirst half of the twentieth Century, one of the great composers, Schoenberg and Stravinsky as oneof the most creative. His collection, record, finishing nearly ten thousand all over the country’sethnic folk songs, writing five books and many excellent papers, made an indelible contribution tothe development of Hungarian folk music and folk music. He will be the western composingtechniques and Eastern European folk music natural and cleverly combined together, so asto show his unique writing techniques and style of music.According to Bartok "the second Violin Concerto"(1937-1938) as the research object, the mainresearch method to compare the music works, from the analysis of pitch,harmony, tonality, rhythmand so on the national language and creative features and style of the perfect combination ofcompositional techniques.This thesis is divided into four chapters:Introduction: introduces Bartok’s life, the basis and significance of topics and research situation athome and abroad is discussed.The first chapter: from the creation background and thought, and Bartok’s folk music collection ofwork on two aspects of the work.The second chapter: folk music elements include the works of pitch in the organization, and how thecomposer used a unique approach to form their own language style.The third chapter: the main characteristics of harmony and tonality about work, in combination withthe bold use of the folk elements.The fourth chapter: starting from the rhythm feature works,analysis of the folk elements in hisworks and his own innovation.Conclusion: on the whole work summarized in the summary, and will work with Bartok’s character together,analyze the perfect combination of emotional and rational music.