The Cultural Attitude Of Zhang Chengzhi 's Prose In The Perspective Of Postcolonial Theory

The paper is mainly talk about the manner of cultural proposition in the stage of "Post’s Xin Ling Shi" of Zhang Cheng Zhi. These prose reveal the important of fight for Cultural interpretation and come up with narrative requirements directly. This unique view open up the space of cultural meditation prose and activate the ideas, the words of literature. The author carry out in two background:On the one hand, with the Postcolonialism as the discussion’s background Zhang’s theme with archaeological professional and Postcolonialism has the coincidences. The author mainly combining the concept of cultural archaeology in Postcolonialism and Zhang Cheng Zhi archaeological professional background, deeply analyzed the relationship between culture and the attitude of cultural resistance with the cultural fusion. See that Zhang Cheng Zhi’s response to the colonial narrative in western novel, corrected the ignorance of the other culture, cultural hostility and discrimination of cultural factor. Zhang Cheng Zhi use the plain language rigorous thinking to refresh the emerging literary narrative system, clean up the short comes of cowardice inferiority of colonized culture. The broad field of vision and mind made him the narrative characteristics of majestic.On the other hand, on the background of "rewriting literary history". The author mainly combines the disadvantages of modern narrative in "rewriting literary history" with the phenomenon of Zhang Cheng Zhi choose prose other than novel, to explore his literature conception. He criticized the false culture and empty literary, balance the relationship between content and form of literature. The real content and perfect form are indispensable conditions in his literary; beauty, strength, and sensation are the pillar of his prose.This paper is divided into three chapters, mainly discusses from three chapters:The first chapter expounds the attitude of culture resistance and the archaeological narrative patterns in Zhang Cheng Zhi’prose is divided into three parts, firstly, in the background of the colonial culture, how the colonial narrative penetrate and influence in the field of literature. In contrast with the western colonial novel, the author analysis the role and advantage of archaeological narrative type, use the method of cultural anthropology analysis Zhang Cheng Zhi prose account for Al-Andalus culture, come to the conclusion that literary narrative can justify to culture. Secondly, Analyzing internal resistance of culture and reflecting criticism of mainstream culture and marginal culture exclusion phenomenon in the Zhang Cheng Zhi prose. Thirdly, mainly analyzing the alert of Zhang Cheng Zhi’s resistant attitude, to prevent misunderstandings to others.The second chapter discusses the attitude of cultural fusion in Zhang Cheng Zhi’s prose is divided into four parts. Firstly, mainly analyzing the necessary of culture fusion in current situation, verifing the view "world culture is no longer isolated today" in the post-colonial theory. Secondly, mainly analyzing the quality and the ability of self integration of the cultural representative from the way of cultural integration. Thirdly, specifically analyzing the formulation of Japanese culture from the view of cultural fusion, declaring Japanese culture cover the real intention of literature in the name of art. fourthly analyzing the initial purpose and essence of cultural fusion from the way that Zhang Cheng Zhi going after.The third chapter from Zhang Cheng Zhi cultural attitude reflecting the literary significance. Review of the creation process and ideological change of Zhang Cheng Zhi, combined with great critical comments, expound Zhang Cheng Zhi literary concept.firstly Analyzing the significance of his prose from the perspective of Literary History. Analyzing the malpractice of de-politicization from modern narrative Literary History of, showing how Zhang Cheng Zhi’sprose get breakthrough. secondly uncovering the characteristic and literary ideology of Zhang Cheng Zhiprose from his reselecting of his literature road. Thirdly, analyzing Zhang Cheng Zhi’sliterary aesthetic idea.