A Study On The Musical Patterns Of Guizhou Miao 's Decorative Symbols

Hmong are a minority in5,000years of history, as the merger and integration of the history of the clan lineages than between many types of totems, too. These also are associated with witchcraft, myths, legends inextricably wonderful relationship.Different tribes have different clan or clan emblem flag. This paper analyzes the Miao numerous decorative symbol Bird example. Order from Totem, witchcraft, myth, poetry to trace the origin of Guizhou Bird. Meanwhile, it can be said Miao costumes art appreciation, and numerous decorative techniques, the use of the material in the form of all sorts of great cultural value.Various embroidery, batik, accessories, silverware pattern can be said to be the soul of the aesthetic, in terms of their performance can be said to be a Bird carrier.On them, we can see that Bird or vivid or bizarre, vivid patterns or abstract or figurative. Rich and diverse content of the Hmong women with embroidery, batik craftsmanship, costumes and silver are amazing.Bird endless styling changes, rich colors, with rich aesthetic style changes. These patterns in large part, we can only read their form, but it can not understand the contents of the grotesque, in the form they showed in harmony, quiet and subtle beauty.Thus, the significance of the pattern is Bird symbol of witch culture is the soul and inner spirit Hmong thoughts with mystery and authoritative core strength.