An Analysis Of The Images Of Chivalrous Women In Early Chinese Martial Arts Movies

Chinese martial arts film of chivalrous women loved by everyone, but the development of woman image through a long period of development. According to historical records, the earliest woman image appeared in the Han Dynasty "a swordsman" in spring and Autumn-Wu Yue is a virgin, however the first mention of "woman" is in the Southern Song Hong Mai’s "man woman", the first "man" and "woman" together. The images originated from the pre Qin era, formed in the Tang Chuanqi of the Tang Dynasty, flourished in Qing Dynasty, and with the development Chinese martial arts film in twentieth Century20years gradually mature, get the reconstruction and development. Appeared many Hangxiazhangyi, my darling Clementine classic woman image. The traditional woman image does not involve emotional problems, only to the true Kung Fu Show, and the contemporary martial arts film, increase the emotional component, and the use of advanced special effects to the performance of "Kung Fu" and was intended to render feelings. At the same time, they also have some common characteristics, such as:Wu Yi prize righteousness and benevolence above wealth, high strength, strong and brave, filial father revenge. These female images add a bright scenery for Chinese martial arts film.Martial arts hobby researcher Leon Hunt will Chinese martial arts movie woman described as "deadly Chinese Doll", namely the image on China film deadly cannot withstand a single blow. China martial arts film has not get rid of the idea think that women are inferior to men, male centered narrative beginning. This point deserves our re evaluation, China early woman image in martial arts movies with modernity sprout, and has the enlightenment significance to the development of the image, we can not deny the early screen of chivalrous women in the patriarchal society struggling consciousness, and should be affirmed the positive significance of her silver screen image to the development of the.This total of five chapters, the first chapter of the history of chivalrous women mainly explained, find the beginning state woman image from the source, evolution as the foundation; the second chapter mainly introduces the Chinese early woman image in martial arts movies, and explain the influence in a certain historical period, produced great impact on society screen woman is a certain inevitability; the third chapter introduces the image and the survival of the screen space, this screen space has its characteristics, and continues to this day, the third chapter is another important part about the construction of the screen the image value, the woman image on screen "rampant" and have a positive impact on the fourth chapter illustrates the construction of society; screen woman image of gender, the gender ambiguity, which provides the basis for the "feminist" research, and points out that the phenomenon of social problems.