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Magic Martial Arts:Wu Ershan Film Research

Posted on:2019-09-04Degree:MasterType:Thesis
Country:ChinaCandidate:Y H Z WangFull Text:PDF
GTID:2405330545476061Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
This article attempts to extend the horizon to the China under the global film market in Hollywood style movies in the context of economic globalization,and to study Wu Ershan,the creative director of the magical martial arts sub-genre that is currently becoming mainstream in China.The director's film aims to examine the fascinating charm of the magic martial arts film in the post-modern social context of contemporary China through the unique film art creation characteristics of Wu Ershan.Explore the magical martial arts films of Wu Ershan.The director mixes the magical elements and martial arts elements,as well as the subversion and innovation of traditional martial arts films.How to fuse the artistic and commercial nature of the film to meet the aesthetic needs of the domestic audience and demonstrate the powerful vitality of the magical martial arts film in the domestic film market and even in the international film market,with a view to a more healthy development.This article is divided into four chapters,the first chapter,discusses the growth process and creation of Wu Ershan,and interprets the creative conception and types of director “Magic Martial Arts” in general,and analyzes the causes behind it.The second chapter,starting from the common theme of the "anti-heroes" of Wu Ershan's magical martial arts movie,focuses on the individual film texts and empirically analyzes the film's works in the narratives of the rivers and lakes,the shemale confrontation,and the "anti-hero" theme narrative.The specific presentation shows Wu Ershan's magical martial arts movie's breakthrough in the traditional martial arts movie.The third chapter explores the “post-modern” character image of Wu's magical martial arts movie in two categories: the martial arts image and the demonic image.It explains that in the current context,the image of Wu Ershan's directorial figure is subverted and rebuilt.Aesthetic significance of construction.The fourth chapter,from the two aspects of Narrative features and audio-visual language of the wizard martial arts film directed by Wu Ershan,analyzes the fragmentary narrative and the artistic style of the audiovisual wonders presented by the film,and discusses its film and soundtracks.How to combine magical elements and martial arts elements with character modeling,and combine it with Chinese native culture to create the ultimate magical martial arts with extreme visual experience.
Keywords/Search Tags:WuErShan, Magic martial arts, The movie theme, The character image, Narrative features, Audiovisual language
PDF Full Text Request
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