| In recent years, the art of painting, recognition, awareness of printmaking intoday’s society has been heard it before, but also have a certain understanding of theversion classification in engraving. For example, woodblock prints, etchings,lithographs, silk screen prints etc.. With the advent of large and medium in recentyears throughout the small exhibition has also prints. People began to print well andrecognition, and to understand the painting form of printmaking. The rise of Yunnanof coloured woodcut plus, where many scholars began to explore the theory of printform language features. Especially of woodcut prints, the Millennium version ofheritage of the in-depth study. The knife, wood taste some people; some of its naturalbeauty. At the same time the engraving prints texture beauty, beauty; the lithographdelicate beauty also received attention and research, but the research of formallanguage of Serigraphs less and less.Screen printing as a new version, its techniques, the picture effect, including itsformal language is very unique, but a few mining depth. Few artists just doing thepicture effect, and no in-depth study of unique form of language and its unique, side.The screen print just become a single expression art way of thinking, but not theessence version of it exists in this independent.Print in each version of the form of language has its own characteristics, such asknife, carving wooden taste; the moulage beauty stone plate; delicate and sense ofdrawing and so on, but the screen print features less and less. It can achieve the effectof the various version of the form, but its language characteristics where? In thefuture it unique innovation in the development of what in? I think with this questionto analyze Serigraphs aspects of each period, development, change, and the futurepossibility of its development are analyzed and the imaginary. In order to find and setargument, argument, there is a generalized conclusion form and meaning. |
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