From The "do Not Step" Cut Into The Beginning Of Fushun Manchu Yangge Female Class Teaching Materials

The vast national folk dance in the sea in our country, liaoning yangko. It has a rich life breath, is the collection song, dance and drama, which integrates with a comprehensive, GuangChangXing, ZiYuXing, and welcomed by the broad masses of the people of folk art forms. Liaoning yangko stilts yangko, inch rocker yangko yangko and three forms, including yangko- "dalai son yangko"(referred to as the "manchu yangko" more scholars) household in fushun and adjacent areas. "Political" is a general history of the northern ethnic minorities, because in the specific historical conditions attached to the word "political" obviously negative, and then by the experts and scholars’ analysis: "dalai son yangko" is widely circulated in manchu birthplace region, and manchu performance with rich culture of manchu yangko performances form, it says it’s call "manchu yangko", this is called not only eliminate people suspected of "political" derogatory, and "yangko" dalai son more typical and representative.This article through to the depth of the fushun manchu yangko step "don’t" digging, traces the fushun manchu yangko dance culture, analysis of dynamic characteristics of the fushun manchu yangko women, and combined with a combination of teaching, from the "field" to "paper writing" to "classroom practice" through a line, how to search for "don’t step", and discusses the teaching practice.The author on the premise of respecting the manchu dance culture, maintain the rigorous research attitude and the positive practice, summed up the specific principles and refine weaved teaching, use of "elements refining" and "law" into the dynamic method, in the early of fushun manchu yangko female class teaching material made a positive attempt. In addition, the author thinks that, "combination of teaching" in the important position in the teaching of folk nots allow to ignore, and has the quality of teaching portfolio is not only an important way to examine the effects of learning, also is the bridge of the teachers and students in art, in other words, the teacher in teaching can collide with the students out of the "spark", often depends on the combination of teaching quality.In the inheritance and development of Chinese national folk, from active absorbing the nutrient of the original ecological folk, to the reasonable injection professional classroom teaching, to sublimate into stage performing arts, this is in line. We should not only emphasize the culture consciously into folk in the teaching practice and the stage performance, but also gives it the meaning of a new era.