A Probe Into The Characteristics Of The Development And Change Of The Main Singing Songs In The New Edition Of Henan Opera

"Kou zhun back boots’" (Also known as "back boots to marshal") is one of the most classical works of Henan opera which derived from ballad (referred to as Henan Quju). It has been staged nearly 60 years, still loved by the majority of the audience today. It has a comprehensive influence in Henan province.To meet the needs of the modern audience’s aesthetic taste, In 2008, Luoyang theatre’s workers not only rebuilt and repackaged the "Kou Zhun back boots" in visual and auditory, but also retained the condition of invariable theme style and the original material. After the premiere, it won the praise of audiences and professional workers.The author tried to regard the classic repertoire as the research object, and it was slso the innovation piont and research. purpose.Through explored the basic features of the play’s major singing tunes, and compared with the traditional tunes inherently. The analysis presented the change of the new development. After a comparative analysis, the author thought that the new singing inherited the traditional singing very well, the stable factors was greater than the change, it could guarantee the stability of the singing whole style.Then, the author got the conclusion:traditional singing has a tenacious vitality.This paper was divided into four chapters,the first chapter was to introduce the Henan Quju and the new version of "Kou Zhun back boots";the second chapter was to analysis the main singing tunes musical characteristics;The third chapter compared the new and traditional singing;the last chapter was to study the Inheritance ways of Henan Quju.Through the study and analysis of the author,this paper showd the development of Henan Quju. We could clearly find the future development direction of Henan Quju, and it made a preliminary exploration about other similar local folk opera in China.