On The Characterization And Application Of Jiangnan 's Dance Material In His Creation

Life gives the inexhaustible source to the dance creation, all the materialsof art comes from life, artists on the basis of artistic creation. Traditionalsource of unique folk dance, all can be traced back to the working people in theway of life, the behavior way of life and customs. In the jiangnan region, becauseof its long history, regional rich, humanity is exquisite, art and culture, folkculture diversity, uniqueness, presents an area to the choreographer provides alot of exploring space and imagination space. Jiangnan variety of dance, folkcirculating so far about three hundred and sixty kinds, contents and forms. Wuxiregion alone have a sword fishing boat OARS, lian xiang dance, such as fishing basketflower drum dance nearly40kinds. Wuxi, is located in the Yangtze river delta plainhinterland, the traffic center of the taihu lake basin, north the conjugate of theYangtze river, south point in taihu lake, the beijing-hangzhou grand canal to wearcity, a canal out of print, jiangnan water alley’s reputation. The author accordingto the water culture of wuxi and created a "grand canal" dance （dance）,"YuGuangQu"（folk）. Talk about himself in the jiangnan in the creation of the subject matterof character extraction. So-called "notices are learning", choreographer, as longas good at observation, found in material, accumulate over a long period ofaccumulation of a lot of dance on the basis of classifying these master first-handinformation, analysis and selection, use can use and adaptation of the elementsin dance creation practice and exploration. With perceptual feeling and experience,rational thinking and to use, the national culture of folk dance, restore thehistorical style and features; Combining with the changing aesthetic changes, inline with The Times to create aesthetic, touched the hearts of dance works. BecauseI am living and working in the jiangnan region, through observation, experienceand understand the local history, humanities landscape, folk customs, through fieldtrips, fumble, learning, exploring, and combined with the raw material records,folk customs inspection, and their feelings and understanding, dance in thelanguage of the local culture of exploration and creation, both the use of miningthe jiangnan material in the dance dance creation, innovation and enriched withjiangnan dance vocabulary accord with creative thinking of The Times.