A Comparative Study Of Dunhuang Manuscripts And Modern National Vocal Music

Liuqin drama，which originated in North Jiangsu and Shandong area, belongs tothe soul cavity system together with Huaihai play, Mao Qiang, Sizhou opera and LiuQiang. The singing in Lunan area is rough and bold which pays more attention tothe clear and smoothness, among which actresses who sing the Liuqin opera havebeen affected greatly by the flower-drum, Daoqing and "daughter cavity"; and thusformed its special singing that is beautiful,chic,melodious,rich and colorful under theeffects. The singers of this opera not only can create and play freely, but alsoespecially the female cavity can use small voice over eight high degree in the soundDepartment of singing; and the male cavity can join lining words drag cavity whichhas formed its distinctive style and it can lead a person to endless aftertastes.This ariais known as "pull back cavity"or "La Hun opera".National vocal music and traditionalopera art have become a pair of twin sisters since their birth, and the former hasinherited many characteristics of opera singing in a certain extent, and therefore thetwo complement each other with color. From the initial formation of School teachingsystem to representative national vocal music singer active in the world art stage, theChinese national vocal music has made considerable progress in its development.When we are absorbing the western singing style, we not only should abandon andrevise our own weaknesses but also should inherit and carry forward the Chineseindigenous art, and rely on the carrier of college education which introduces theactresses singing of Liuqin opera into the national vocal music teaching so as toalleviate the new cultural factors on the impact of traditional opera art, and indirectlyachieve the inheritance of traditional opera culture.This paperhas been divided into four parts, in which the first chapter mainly haddiscussed music formsof Liuqin drama. The second chapter has analyzed the ariasinging and characteristics of Liuqin opera of actresses singing techniques, combinedwith the modern drama "Yimeng love" as a case study, and then analyze the featuresof Liuqin opera actresses singing. The third chapter has introduced the developmentprocess of modern national vocal music and the existing problems and disputes in theteaching mode of college national vocal music and has interpreted the influence and effects of traditional opera singing over the national vocal music with the methods offactual proof and the comparative analysis. The fourth chapter has fully revealedenlightenment of the Liuqin female Dan aria upon national vocal music teaching, andaccordingly how to better carry out the inheritance and protection.The conclusion parthas summarized that the national vocal music should be rooted in the fertile soil of helocal music, and put forward its own thinking.