A Study On The Musical Music Of Zhuang

Ni Hongjin as the founding of one of China’s most outstanding music, themusic works ofdistinctive style, rich and varied writing techniques. Involvesvarious writing techniques,such as Rondo, polyphony, Trilogy etc.. Amongthem, the middle of the70’s creation of"Zhuang suite" is one of the mostrepresentative works of national style. This suite cleverlyethnic folk music andWestern J Pozo bin sound system creation techniques together,reflects thecomposer skilled composing skills, is a rare national piano works.This dissertation focuses on the research of piano works "Zhuang suite"composing technique and playing style, the text is divided into four chapters:the first chapter, Ni Hongjin’s creation experience. Is divided into three sections.The first section brieflydescribes the composer’s background; the secondsection introduces the composer’s personal learning experiences areintroduced; the third section of the "Zhuang suite"creation background. Thesecond chapter, analysis of the source material for Ni Hongjin"suite" of thezhuang. Divided into three sections, analyze the style characteristics,thesuiteZhuang ethnic customs and the "Zhuang" suite of source material. Thethird chapter,analysis of the piano suite "suite" works of zhuang. On "four suite"in Zhuang song musicanalysis. The fourth chapter, discuss "focus on the needto grasp the" performance of theZhuang suite. The ingenious combination ofworks of ethnic music elements with westernpiano music creation technique,embodies the composer’s deep skill. At the same time, thenovel depicts theGuangxi Zhuang region’s customs, magnificent natural scenery, is the Zhuangpeople’s daily life and production performance of the character portrayal oftheZhuang people’s hard-working, enthusiastic and straightforward, reflectZhuang people arehospitable and humanistic feelings. The work on thedevelopment of the Chinese folk musicplayed a very positive role in promoting.