A Study Of The Eulogy In The Early Qing Dynasty

Mourns Ci-Poetry is a part of Ci-Poetry in early Qing dynasty. Andthe number and writing art of mourns Ci-Poetry reached a certain level.it is worthy of attention.In recent years, with the development of Qing Ci-Poetry arrangement,new monograph or paper about mourns Ci-Poetry in early Qing dynastycontinuously. However, they always focus on famous writer and classicalwork or the macro picture of Qing Ci-Poetry，there have been very few reviewcomprehensive academic.The goal of Ci-Poetry research in early Qing dynasty from all itsaspects and from multiple perspectives was achieved though the researchmethod of system analysis, comparison analysis and syntheticgeneralization. The research in macro grasp, the reason of activedevelopment, The artistic characteristics and the study of representativewriters except Nalan are the innovations of this paper.The fist part of the article chiefly expounds the background of themourns Ci-Poetry in early Qing dynasty: the country is development fromturmoil to peace, Cultural policies are tempering justice with mercy. Onthe other hand, the writer explain the reasons about the activedevelopment of mourns Ci-Poetry: the former generation influence ofinertia， the sadness of the generation replacement， the stylisticadvantages in expressing their true feelings and sad feeling，guidanceof the ruler and writers, style influence and the join-in of Manchuwriters.In the second part, according to the difference of creating incentives,the writer will have a detailed classification and an analysis of thecharacteristics in different incentives. These contains: the special timesuch as the day of mourning, reunion festival, Spring or Autumn and when it rains; not special time such as the terrible blow of sudden death,soul-searching of Stretches sadness and mourning for someone else.and soon.The third part, the writer analysis the artistic feature particularlyby illustrating and comparing the artistic conception of mourns Ci-Poetryis mainly comprised by transforming of virtual and the real.By interlacing and transforming of sense, parting and virtual and real,mourns Ci-Poetry forms its various artistic conceptions such as theintegrating of emotion and sense, the combining of nihility and realityetc.Mourns Ci-Poetry of Qing dynasty trend to select natural and cold toneimage and prefer to select sentimental words to modify images directly.What is more, it is also good at using compound image. The image of moonand dusk appear in the Qing dynasty mourns Ci-Poetry frequently.In the view of the ci-style, according to different condition, mournsCi-Poetry focus on the harmony of contend and poem tune,prefers to selectcomplex long-tone sentence and chooses proper chapter association.The fourth part, by analyzing six representive writer in early Qingdynasty, this paper shows individual peculiar feature of Ci poet apartfrom commonality of early Qing dynasty.Na Lan ci is pure and profound, which is sentiment and mournful. Heis good at various rhetoric such as synthesis, detail depiction,expressing feeling directly, etc.Mourns Ci-Poetry of Liangwu Cao has the style of sadness and sorrowful.He is outstanding at the creating of chapter association.Qian Shen mourns Ci-Poetry is full of emotion and pursums the effectof here and away.Zhenji Cao puts pure and true emotion into his works which is boldbut with sentiment at same time and forms its own peculiar style. Cai He likes add in the sigh for the rise and fall of history，andthe Mourns Ci-Poetry of Cai He is similar to Jia Xuan---generous anddesolate.Weisong Chen is a productive writer, whose style is stable and sadnessbut no resentment.He prefer to put homesickness into his works naturally.He is the presentive writer who has experienced two different dynasty.