Proof Of Subjective Expression In Chinese Poetry Creation And Criticism Since The 1990s

In the contemporary poetics, the complex relationships forms between language and subjectivity. Since the1940’s to the end of1970’s, the individual subject has been in the plural, collective shelter; Modern Chinese has been evolved in a long period of ideology. Since the end of the1970’s, with the reflection on "Cultural Revolution" and history, the view of human nature, humanism, humanitarianism has appeared repeatedly, the concept "subjectivity" was discussed heatedly after the "May4th Movement" again. However, only a few years later, with the coming of symbol language philosophy, science, structuralism and deconstructionism,"the death of author", the concept of "death of man" or " decline of subjectivity" spread rapidly, language, symbol, structure replaces the author, subject, position. Morphological characterizations, which are non-subject, anti-ethics, anti-culture, anti-rational, anti enlightenment, have been regarded as "mark pioneer writing".In the introduction, this paper analyzes the cause of flow of the language center theory and the poetics problems that may cause. The text is divided into four chapters:In the first chapter, by analyzing the Geng area poetic criticism and the poetry of Sank, it discusses how to relate the subjectivity to the language by the writer, it could introduce the feelings, emotions and restore the position of the subject, or reflected in the performance of language feelings. The second chapter discusses "ethical subject" and "the subject of memory" by reading the poetry text Chen Dongdong and DuoYu. The third chapter tracks the process of conversion of subjectivity and the rewriting by the example of the Xinjiang poetry of Shen Wei. The fourth chapter discusses indirect expression strategy of the subjectivity by analysis of subjectivity in Leeson poetry.The conclusion part summarizes this main view the paper. In the specific writing, poet and critic can put themselves in the realistic context, then put the subjectivity and language, which are seemingly opposite, in a mutual dialogue and condition.