During The Period Of The Republic Of China Mei Lanfang Opera Criticism Study,Plays And Poetry Criticism As The Main Investigation Object

There are abundant historical materials about Mei Lanfang’s drama criticism and poetry criticism in the Period of the Republic of China.This paper discusses the critical paradigm used by Mei Lanfang’s drama criticism in the period of the Republic of China through sorting out and summarizing Mei Lanfang’s drama criticism and poetry criticism,so as to perfect the database of opera criticism in the period of the Republic of China.The thesis is divided into three parts: introduction,text and conclusion.The text summarizes,summarizes and analyzes Mei Lanfang’s repertory criticism and poetry criticism,discusses the main influence of Mei Lanfang’s repertory criticism and poetry criticism,and finally makes an in-depth study of the literary and artistic value of Mei Lanfang’s repertory criticism and poetry criticism.The first chapter,first to Mei Lanfang drama criticism of literature and the main theater critic profile,according to the tidiness of Mei Lanfang drama criticism this paper discusses the basic content of knowable Mei Lanfang drama criticism content is mainly two kinds: one is the script as the object of criticism,the script language,structure,plot,content,etc criticism;One is the opera performance as the object of criticism,focusing on the opera performance elements such as the performance of actors,singing,dancing,performance team,stage layout,performance effect and so on.Finally,on the basis of the discussion of the basic content,the author discusses the main influence of Mei Lanfang’s repertoire criticism.The second chapter first to Mei lanfang poetry criticism on literature and general situation of main house of poetry,in accordance with the chant poems and singing opera respectively to Mei Lanfang poetry criticism this paper discusses the basic content of knowable chant plum mainly centered in Mei Lanfang,the Mei Lanfang Se Yi singing,character,character,and chant drama is mainly centered on Mei Lanfang’s performance,Singing about Mei Lanfang’s performing arts.Finally,on the basis of discussing the content of Mei Lanfang’s poetry criticism,it discusses the main influence of Mei Lanfang’s poetry criticism.The third chapter,based on the first two chapters,finally explores the literary and artistic value of Mei Lanfang’s drama criticism and poetry criticism.The conclusion is the summary and theoretical sublimation of the first three chapters.Mei Lanfang’s drama criticism and poetry criticism are important parts of Mei Lanfang’s drama criticism in the Period of the Republic of China.They not only inherit the traditional drama criticism ideas,but also innovate and develop under the influence of western drama ideas.