A Study On The Freehand Brushwork Of Minority Ink Paintings

China minority ink figure painting freehand brushwork in traditional Chinese painting, is mainly refers to the performance of minority characters in the painting style, using the traditional Chinese painting freehand brushwork in traditional Chinese painting China idea as the guidance thought, pay attention to image modeling, emphasizing the pen writing and heedlessness, thus showing that bright image. "Free" is not only a painting, a kind of expression, but also represent a way of thinking and artistic orientation, reflects an important aspect of the spirit of Chinese art, here refers to the calligraphy and painting freehand brushwork in traditional Chinese painting or writing brush, micro said:when refers to the book in hand so, write cursive writing. The pursuit of "freehand" is one of the important characteristics of Chinese ethnic minority figure painting. At present, all kinds of ethnic minorities, ink figure painting technique of expression of the retrofit, but can vividly reflect the reality of ethnic minorities, and to seek the possibility of artistic expression on the basis of new. This paper mainly from the three aspects of the freehand brushwork in the minority of ink figure painting features:the first part is to the importance of minority ink painting spirit from two aspects to explore the expression to a certain extent. Art is the concentrated reflection of the social life of the ethnic image, ink figure painting creation process into a more spiritual symbol, is a true portrayal of the reality of life, is the reaction of ethnic minority groups in the spirit world. The second part tries to analyze from the minority characters of freehand brushwork in two aspects, from the traditional minority characters painting modeling to the evolution of "Shu Jiang system of ethnic minority realistic painting modelling, we can see that the minority of ink figure painting with cultural integration and diversification, the emergence of new forms of Arts and artistic style. The third part tries to analyze, to national minority figure painting of freehand brushwork in traditional Chinese painting from three aspects through the line, ink, color painting language of the ethnic minorities, figure painting ink beauty to add a lot of color to the freehand painting charm. The fourth part is to combine further creation and perception of minority folk songs after, presented their China for ethnic minorities painting freehand expression understanding and direction.