Study On The Form Structure Of Contemporary GuangXi Minority Subjects Freehand Figure Painting

In China,as one of the minority nationality settlements of guangxijts unique natural landsca-pe attracts many scholars and national characteristics of culture. Studies in guangxi minority ge-nre painting, many researchers have written articles and works have their own unique understan-ding. In today's social background, the development of any things always have their item,differ-ent view also give different interpretations, the author based on the theory and practice of native and contemporary, interpretation of the combination of native culture and foreign art of aesthetic meaning. Through the analysis of the contemporary guangxi ethnic minority subject matter wor-Ks, explore its composition way and structure characteristic, it is concluded that the creation ex-perience for reference in the form of pictures, prompting the painting more rational to diversified development in the future.This paper mainly study this topic from three aspects:The first part, introduction to guangxi ethnic minority subject matter freehand brushwork f-igure painting, done to its definition, the factors.The second part, for the key part of the full paper, first of all, to form were summarized, and second, mainly in the form of parsing the contemporary brushwork figure painting of guangxi c-haracteristics In contemporary artists in guangxi ethnic minority subject matter works of freeha-nd brushwork in traditional Chinese characters, for example, summarizes the analysis of the cha-racteristics in the form of the contemporary brushwork figure painting:in the form of complanat-lon, reset and combination of space, space partition and the particularity of the props, and figure painting of guangxi unique form are summarized:the unique national costumes reflect, unilateral Angle TiKuan QianYin to lay a foundation, grey area. Based on the dress form embodiment of guangxi figure painting works, and concludes that:the turban cross fast piece face, dress, skirt, sector of trapezoidal piece face three aspects of analysis.The third part, combined with their own painting practice is discussed. Respectively from the minority nationalities in guangxi art form of the enlightenment in the form of the author in the creation and comprehension. The author through to the application and work in the form of compo-sition analysis, attempts to compare the travel of the otherness with the shortage of the comp-onents belong to itself in the form of the way.Conclusion, in the form of diversity promotes the minority theme freehand brushwork figu-re painting form language diversity, have progressive significance for Chinese painting, explori-ng the process of innovation is both form and content, ethnic characteristics and performance la-nguage complement each other, show the national spirit. Contemporary artists in the form of a composition characteristics played a significant role in development of Chinese painting, at the same time affect more artists to delve into form.