Variation Floating Life - Grayson Perry's "Waltham Stowe"

In the 2013 Hangzhou Triennial of Fiber Art, from the British artist Grayson Perry----<The Walthamstow Tapestry> attracted everyone’s attention. This use of digital made huge tapestry weaving, with a lot of personality factors:the seemingly distinct subject matter actually obscure, complex visual effects, the approximate form of a narrative tapestry of tradition, but with a highly reduced magical life scene, ubiquitous logo implies consumption plot; distinctive features, but alienated the religious element; a fusion of traditional narrative tapestry of creative techniques to express contemporary life; there being a wonderful art scene of the artist It’s all kinds have aroused my curiosity, but also spawned a number of issues, including the artist’s ideas, the real subject of the work, the identity of the painting roles, as well as works of media and technology selection and so on. And this piece of literature very little, but no official Chinese data, making interpretation difficult process. I hope that through this article, combined with<The Walthamstow Tapestry> theme, images, techniques, media and technology, as well as the author’s thorough analysis of the relevant information, to dig out from this piece of work Harmonia Bliss picture of the deep levels of meaning; interpretation of the author’s true intentions; further comprehensive assessment in its value and significance of fiber art works, as well as contemporary art works.This paper is divided into three chapters, the first chapter describes the overall<The Walthamstow Tapestry> of the relevant information and background. Detailed interpretation of the theme of the second chapter of this work, the screen content and narrative technique, as well as comparative analysis of it and part of the traditional tapestry work. The third chapter is a discussion of media and technology this tapestry works and analyze media and digital artists choice tapestry weaving reason.