The Representation Of The Image Of Minority Nationalities In The Creation Of Modern Ink Paintings

Ink figure painting in Jiang Xu system under development, modern ink figure painting and traditional Chinese freehand brushwork figure painting, based on the inheritance, innovation, development.Modern ink figure painting is not content to just show the characters’ interest expression of ink, but more of a focus on shaping the characters, hankers after performance characters of typicality and the performance of the painter’s subjective consciousness, and achieve "xingshenjianbei", "lively" artistic effect and inner emotional attention.Modern ink painting figure painting for situation and existing problems of ethnic minority subject matter: a. Creative practice along with the lagging of theory research, artist busy for ethnic minority subject matter, focus on capturing the lingering intuitive feeling neglected the study of theory.2. National resources rich and expression style of a single, minority subject rare have depth and the thought of good works of Chinese paintings, "symbolic" phenomenon is serious, idea and content only stays at the level of the diagram above.3. The lack of a blend of modern language and traditional culture, ethnic Chinese painting development up to now, a diversified era.Diversification is the inevitable path of times, and at the same time, the rules of the development of the art.But, now in minority theme in traditional Chinese painting creation, there have been an important question, is the lack of Chinese traditional culture.