On The Metaphorical Art Of Jiang Wen 's

Movie as an integrated arts, set in a variety of art literature, theater, photography, painting, music, dance, sculpture, architecture as a whole, it is a continuous video screen as the main manifestations, it is a combination of visual and auditory Modern Art. Italy, "the new era of realism," the film director, film theorist Pasolini clearly states:"Film by metaphor for survival." With the "non-verbal metaphor" of the force, the director may be the theme of the film, tenor, a symbol of hidden after the appearance of things, through images evoke the audience think, the essence of the film directed behind insight into the director’s intentions, enjoy viewing fun. Talented director Jiang career as a director for 20 years, five works have distinctive characteristics metaphor. In this paper, the non-verbal metaphor as the theoretical points, taking the method of textual analysis of Jiang five films in the metaphor of art study, explore their presentation skills, and concluded Jiang wen Metaphor effect.Introduction introduced research background and significance, carded status quo Jiang wen metaphor research. As a movie metaphor nonverbal metaphor, it an important role in human cognitive activity has become increasingly clear to highlight their research should be based on a variety of cross-disciplinary integration, and research methods used in this study, to be solved The main problems.The first chapter provides a theoretical support for the goal of non-verbal definition of the concept of metaphor, a metaphor of something to clarify the context of local development and research of the evolution of film metaphor, pointing out the film as "Window of Life", "day dream" "mirror text" metaphor generation mechanism, review and summarize the characteristics of Jiang metaphor movie.Text reading the second chapter of the way, from the point of view of narrative logic Jiang wen metaphor in the plot structure, characters, etc., metaphorical narrative approach to promote expansion and development of the story, the film highlights the deep implication Jiang Wen.The third chapter analyzes Jiang wen visual language of metaphor, mainly from the use of color and music of these two aspects of this application to analyze in depth Jiang Wen’s five films to achieve a specific analysis in the form of audio-visual language of metaphor.The fourth chapter on the basis of the first few chapters summarize Jiang wen in the common law and the effectiveness of metaphor and critically reason to see Jiang Wen film metaphor. From the perspective of external visual metaphors in an intuitive way greatly increases the film can be ornamental; from internal ideological terms, metaphors set increases the thickness of the story, fully mobilize the audience’s emotions and Deeper Thinking about the film, intention to enhance the film’s theme; in the context of globalization of the world, Jiang Wen film in the use of metaphor to uphold the essence of Oriental culture, subtle, and its charm and fully mobilize the Eastern and Western markets, access to a win-win business and art. But autobiographical strong values split, strong sense of personal style of the film also makes Jiang movie metaphor obscure, leading to criticism of his works exist.