On The Problem Of "Treble Difficulty" In Tenor From The Principle Of Singing

Throughout the vocal pedagogy and vocal performance, there is still a concernthat how to cope with the treble problem of tenors. In order to produce a resonantpitches; knowing the sounds mechanism, following scientific phonation rule andbuilding correct intonation and practice methods is necessary. In this research paper,by using the combination of in-class experience from Professor Bai and extravagantnumber of research on Chinese and foreign scholar paper; singing mechanism, vocalconcept, singing methods, practice methods and singing psychological as five majoraspects to analysis the fundamental reason of causing common problems in the tenorfield such as, difficulty in tenor treble and uncorrected timbre, and to provide specificmethods on solutions. This paper consists of four chapters, introduction, structure ofthe vocal organ and basic vocalism principal, and analysis on treble difficulty andpractice methods. Introduction mainly refers to the purpose and the meaning of thistopic, as well as the current status of this research. The first chapter basically is topresent the structure of the vocal organs and the fundamental relationship between thevocal organs and the basic vocalism principal. The second chapter provides analysison treble difficulty phenomenon that appeared in concert and training process, basedon the content of the first chapter, also it lays a theoretical foundation for solvingproblems tenor treble. The third chapter summarized specific methods on solvingtreble difficulties based on the theoretical knowledge from the previous two chapters.