| Chinese figure painting as an important part of Chinese painting, since the painting have ancestors’ began the ontology of a person. In the long history of China constantly enrich themselves, improve their own made outstanding achievements in the process, as the seclusion of the qing dynasty, however, the Chinese figure painting gradually into decline. Die ancient atmosphere enveloped the Chinese painting at the moment. The beginning of the 20 th century "realism" concept of sketch to bring Chinese painting a wisp of cool breeze. People are out of your "face to the ancients" haze, thereby to "nature". With "sketch is the foundation of all plastic arts" claims started a "revolution of fine arts", and made great achievement. Sketch has become a necessary means in today’s learning Chinese figure painting, in the context of today’s open and inclusive culture is towards the direction of diversification. However, the formation of the face is historically inevitable. The development of The Times requires us from "a few pen, not like" the modelling idea out of, but not completely abandon the representative of Chinese painting language. Aesthetic principles of traditional Chinese painting is not lost in the tide of western realism. In this paper, three parts of figure painting sketch are discussed: respectively summarized the sketch is an essential part of Chinese figure painting creation basic elements and principles. Through this paper, the conclusion of this article is: the Chinese figure painting sketch should not only inherit the tradition and to develop the traditional, should draw lessons from foreign culture but also different from foreign culture. Pay attention to real life, also cannot ignore the value of their own, can play the traditional value. Contemporary figure painting sketch is the trend of the development of Chinese figure painting. Figure painting sketch can make the painter learns from life, and his unique painting language can eventually form... |
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