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On The Transformation Of Mikhail Gu Yida 's Subjective Consciousness In The Composition Of Screen

Posted on:2016-05-29Degree:MasterType:Thesis
Country:ChinaCandidate:C QinFull Text:PDF
GTID:2175330473960692Subject:Art
Abstract/Summary:PDF Full Text Request
Starting from the most fundamental elements of painting language, this paper studied the subjective consciousness transformation of Mykhailo Guida, and it mainly analyzed the disposal, management and arrangement of painting language in frame composition, thus I further understood how Mykhailo Guida realized the mind what he want to describe. We can draw lessons from great artists’artistic experiences, and then get the inspiration; this can serve our artistic creation.This paper mainly expounded the subjective consciousness transformation of Mykhailo Guida, and amplified the characteristics of frame composition from four aspects, that is seeking "Meaning" from "Making One’s Selection", expressing "Poetry" from "Metamorphosing", exploring "Eternal" from "Tone", gestating "oriental charm" from "Freehand Brushwork in Traditional Chinese Painting". During the whole research, I became acutely aware of the importance of subjective feelings and frame consciousness. Subjective feelings decides painter’s creation direction, presentation format of drawings and pattern of manifestation about all the painting language. Frame consciousness is the need of subjective consciousness during frame composition transformation; it decides the style of painting. It is thus clear that we have to love the nature and life, apperceive everything around us, improve personal quality and abundant subjective feelings; at the same time, we must lay stress on the cultivation of frame consciousness during our drawing, and keep the enthusiasm about life and drawing.
Keywords/Search Tags:Subjective Consciousness, Frame Composition, Subjective Feelings, Frame Consciousness
PDF Full Text Request
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