Impressionist Factors In Isaiah 's Third Non - Accompaniment Violin Sonata

In the 19 th century is a violin playing a peak of the history of art, many factions appear and emerged a large number of excellent violinist: There is a beautiful voice and elegant style of the Paris school, representative Viotti, Sarasate;a Brussels school rough lines and powerful, represented by Vieuxtemps, Wieniawski, Ysaye; and with superb playing skills will be pushed to the top of the Italy School of Paganini. Musician and composer of this period, not only explore the violin playing skills, also enlarged the scope of violin performance. In the 20 th century, however, the real violin will play the art into the modernization process is the Eugene ·Ysaye.At six in the numerous works Ysaye accompaniment violin sonata is his most outstanding works, including the third sonata in d minor, as one of the most famous song in this work, the work contained in the playing skills, work style, aesthetic concepts are worth us to explore and study. Ysaye music creation is mainly of the baroque period, Bach polyphonic music inheritance and fusion of paganini works technique. At the same time, also absorbed the late romanticism composer Frank in Belgium and the early 20 th century French impressionism master Debussy style characteristics. Based on the study of composers as external performance skills, work style, focus on looking for contact with the impressionist composers, and dig deeper into the impressionism factors that lie within work.