This paper is divided into two chapters, the first chapter, introduction of Mozart’s biography and opera "Tang Huang", this chapter from the introduction of the creation background, plot, music characteristics of the three aspects describes the "Tang Huang" of discourse structure and contains deep connotation. The second chapter, "Tang Huang" of the three female characters of the musical image and artistic characteristics of performance. The third chapter is the main chapters, Zerlina this role to begin with, starting from the arrangement of the characters and the characteristics of voices, of his main aria harmonic duet passages were analyzed with and, through the design of the melody, the speed of change and the pace of adjustment and in singing the timbre, volume control and audio and syntactic processing, range, the intonation of the grasp, and strive to reproduce the real Zerlina this role in Mozart’s works, shows the artistic image. At the same time, the analysis Anna and elvina the two female characters. |