An Analysis Of The Emotional Embodiment And Modeling Of The Representative Ink Paintings

China beginning of the 20 th century has formed several stages of change.Produced in the later evolution painting realistic ink, ink painting, abstract phenotypes ink and concept of ink and other diversified types of ink.Branch- phenotype in the field of contemporary ink figure painting ink figure painting, is after the reform and opening up, the introduction of western expressionist art concept and combining with the premise of cultural situation at that time.The main features have made a fundamental shift from the concept, absorbed the subjective expression of expressionist art concept and combined with special ink painting material, build up the modern artistic language form.After drawing new language constructs, its language features and to explore the necessity of a certain language expressive.Phenotype ink figure painting, after the formation of the most prominent feature modelling new contextualization.And the innovation of the modelling language is closely related to the artist’s personal experience and emotional experience, closely connected with various phenomena of social life.This article tries from the three aspects of contemporary ink figure painting of expressive.From the definition of phenotype ink figure painting and its modelling language formation reasons and internal motivation is the beginning, and then introduces below the argument of the characteristics of the phenotype ink figure painting language.The second part is the central argument in this paper.From phenotype ink figure painting modelling characteristic is different from the realistic type ink figure painting modelling characteristic point of ink figure modelling language after changing times and uniqueness.Under the modern concept mapping as well as the relationship between the emotional expression and the modelling language of painting.And through the typical painter focus on each case analysis of the characteristics of the modelling language and emotion.The last part is combined with their own creative process, the modelling language expressive and some awareness of the importance of emotional expression in painting.