| This master’s dissertation proposed a distinguish perspective based on the research of Mongolia’s national epic and the Epic Singer’s research on the collection of Mongolia’s national scholars is from the beginning of the fifty or sixty’s in twentieth Century. The text about Mongolia in Mongolia and the Epic Singer epic and the EPIC study issued for 60 years of history. In the sixty years although there are many epic version available, epic and the Epic Singer many research papers were published, but there were no immediate statistical research on Mongolian epic and the epic, the singer of the entire system. This paper in Mongolian epic and the Epic Singer related books, papers, study and analysis of the foundation, find out the past Mongolian epic statistics and epic singing artist Zhuan Ji difficult, correcting errors, to supplement the shortage to system of Mongolian epic and the epic singer do statistics also claims to solve the relevant problems in the statistics. This dissertation is composed of six parts:introduction, main body (3), summary, reference and so on. In the introduction part, it mainly introduces the five parts:the reason of choosing the topic, the purpose of the topic, the summary of the research, the research method, the research meaning and so on. First chapter, about the past Mongolian epic statistics the Mongolianepic statistics "and" Mongolia oral literature dialect library statistics"these two works and find out the gap at the same time, statisticaldiscrimination printed academic text version of the epic text andreading the text, not printed text according to the statistics of localstorage. That is, Mongolia’s epic version of the text is published in someof the text has been published, and some of the text has not beenpublished, has not been academic use. Present a point of view on theissues that are still not to be distinguished from the academic andreading versions. The second chapter, the distribution of Mongolian epic is according to the clan and local statistics, from the distribution of the analysis, the Mongolian epic mainly distributed in the Oirad tribes gathered live Ubs, Hobd are clan. Khalkha tribe living in the place also has the epic text records, the Oirad tribes migrated to the kaerka tribe left incomplete epic, number and integrity than the Oirad epic is not to be trusted. So the past scholars said:"Khalkha Mongolian and Oirad, Buriyad and Khalimag as also a Mongolian heroic epic center, to still exist" point of view, we should be considered.The third chapter, from the Mongolian epic biography sets and epic research papers to explore, the Oirad Epic Singer selected famous epic, the singer to study and selected into the book, instead of Fame (forgotten) epic singer or early epic, the singer has neglected phenomenon. However, in the epic biography and books kamika,Only a little epic singer or a half of the Epic Singer and the number of epic live concert artists are not enough to be included in the epic concert artist. So to all the Epic Singer careful statistics, from the traditional epic, epic storage compared before the Khalkha no famous epic singer, it still is not. So in order to make Epic Singer statistics and set, if you want to in the papers, books to all the Epic Singer complete statistics on the famous must not miss the Oirad epic singing art people. Those who know twenty or thirty epic, passed from generation to generation of the famous epic singing artists from the book high school only know a little of the Khalkha tribe Epic Singer as equality is the wrong view.Conclusion part mainly summarizes the above three chapters, Mongolian epic version and the epic and the epic singing artists clan, local distribution and statistics, past the Mongolian epic and the EPIC study related issues still has a lot of. So I think that in order to present a view of Mongolia’s epic and epic research needs to be based on a complete statistical and systematic material and important. |
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