| Yang Weizhen, as at the end of the Yuan Dynasty calligraphy calligrapher of treason, he broke the round pretty wind Book rule, creating a peculiar, romantic style book. Yang Weizhen’s calligraphy practice with great creativity not to follow the beaten track. His calligraphy are all handy, contempt for all the established rules, shaped random arrangement, broken the clumsy ugly, lines, outspoken and rough, without affectation. He was cynical personality in the creation of performance, art emotion conveyed by the most incisive words. At the same time, Yang Weizhen also has the research on calligraphy theory, a large number of books and poems, preface and postscript to comment way. The thought and practice of calligraphy together constitute the organic whole of Yang Weizhen’s calligraphy art.In the Yuan Dynasty, the unified style of calligraphy calligraphy skillfully rounded. This style of development until the end of the Yuan Dynasty appeared bound ills, the art of calligraphy creation, leading to the lack of vitality of calligraphy. Yang Weizhen is not constrained in this situation, to break the shackles of the shape of the blind pursuit of calligraphy.In this article, Yang Weizhen’s rebellious spirit as the starting point, in his book and practice as the center. Based on the analysis of the works, the author makes an in-depth analysis of its practice. Mainly expounds from the following aspects: the first is the background of Yang Weizhen placed in the Yuan Dynasty, the trend of classicism in his calligraphy theory in-depth study and mining behind the calligraphy thought origin; the second is based on the thought of Yang Weizhen art and of his calligraphy practice for examination and analysis, and clear the relationship between the calligraphy theory and practice;The third is on the basis of the above two aspects, in contrast to the current problems in the development of calligraphy, and hope to provide useful inspiration for the development of contemporary calligraphy. |
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