| The article about Jiang Zhaohe and Xu Beihong with ink portrait of a specific analysis,major differences were analyzed from creative thinking and language morphological differences between the two parts, both of them are quite different in terms of creative thinking, focusing on the creation of Xu Beihong romantic thinking, Jiang Zhaohe and artistic bias realism. It also exists many differences in terms of language form, manifested through the following three aspects: First, they are different composition methods, Xu Beihong ink figure painting in three-dimensional space-based, two-dimensional patterning of creation in the same way time and space. The Jiang Zhaohe and 《displaced map》 mainly taken by patterning three-dimensional composition mode, the screen time and space strong liquidity.Second, there is a big difference between the two characters, mainly because most of the pursuit of life, Xu Beihong was influence from Western classical, creative characters tend to classical aesthetic, and real-life characters Jiang Zhaohe and places for the creation of objects.Third, they were significantly different pen and ink, Xu Beihong ink line drawing techniques they use to describe, focus on Jiang Zhaohe and ink calligraphy pen, transformed through the sketch, pen and ink creative stronger. Xu Beihong ink portrait strong color and strong screen performance, mainly due to Western influence ink. Jiang Zhaohe and color of ink figure more obvious, and most of the ink supplement, coloring and painting to be able to coordinate. Both creative thinking and language differences form the main representatives can analyze the different style of ink figure painting. through the same system to analyze the artistic integrity Jiang Zhaohe and Xu Beihong,which has creative features, except for the two person to understand artistic creation, but also to the creation of contemporary figures play an important reference. The creative process Jiang Zhaohe and Xu Beihong character under the pen, analyzes the performance of ink art form of differentiation, so wash figure painting realistic art form made rational summary and reflection. After the reform and opening up, due to the development of market economy, transformation of creative thinking, the development of Chinese Figure Painting entered a new era of pluralism. Realism after entering the new century, the face of the liberation and the creation of diverse cultural trends of thought, figure painting realism has been questioned, realism is an unavoidable problem.Based on this, the author of many aspects of the creative process of Xu Beihong, Jiang Zhaohe Figure Painting a careful analysis and analogy, the same analysis under different themes of painting in the background to show creative thinking, composition arrangements,plot content, ink and color, etc. personality and appearance, focusing on relatively Xu Beihong and Jiang Zhaohe, his creative thinking and language differences in morphology, andin order to better realize Xu Beihong, Jiang Zhaohe expand the themes and techniques of innovation and change aspects of inheritance, this modern ink painting digging deeper themes cultural connotation and aesthetic value, while providing an important reference for the study of development and evolution of other paintings of the same name. The article on the results of previous studies on the morphological differences of modern ink painting language, select Xu Beihong, Jiang Zhaohe and their representative works, they will be studied as a whole.First Chapter one, Jiang Zhaohe and Xu Beihong that modern ink for improvement and development, and the life; the second chapter is an important part of this chapter, using the comparative method, followed by studies from the composition, characters, pen and ink techniques and so on. The third chapter summarizes and discusses the results of comparative studies and historical value and Jiang Zhaohe and Xu Beihong modern ink figure painting,modern ink painting while digging deep cultural performance language arts content. |
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