Male Metaphors Of "She" In The Perspective Of Male

In the long history of the development of art and the art of dance reason don’t in other disciplines of the arts, one of the important characteristics is the art is to the body as a medium to transfer emotions and thoughts, and only the art of women hold absolute advantages. In this way, the dancers themselves are being taken as an object of appreciation, together with the expression of the body, which is the object of scrutiny. However, this aesthetic concern, carefully combing, we will find that the hidden behind a pair of men’s eyes. The dancers itself did not become the expression of the subject, despite being in her expression, but her expression is to appreciate the eyes of the male as the swan, the free will of the ID did not begin. Male perspective is regarded as the main basis for the development of dance art evaluation, women are associated with attachment, conform to the master August and celebrated the commanding position and low eyebrow along the item, yes. With women as the main camp of the art of music and dance, so the Huangtai has been extended to twentieth Century early.With the awakening of female consciousness and women’s liberation, feminism began to stretch their independent existence, as one of the trends of social thought,flourishing tenor of feminism, women began to his status and position in the development of the art of thinking. Of course, in the art of the body is a reflection,women began to wake up, self right to start stretching performance. In the dance to pay attention to the expression of the free will, to pay attention to their own rights,and to maintain the value of their own existence, to become a new female dancer’s strong appeal. In the western art picture scroll, the single from the drawing rules and the angle to discuss, it has broken through the male dominated judgment. And the body as a kind of female is the object of men’s examination and wait and see, the so-called female consciousness, in fact, has been implanted in the idea of male power.Women, not just a gender identity, but a group of the awakening of the "Venus" ".The female " body symbol " appeared in the art of dance, she is not a simple " female for Yue oneself person", to highlight the charming and curves of the female body,but as the art of female self expression a sign can also be seen as the deconstruction of traditional female art. The diachronic study of "body symbol" can be more in-depth understanding of the development of Chinese and Western women’s art, but also laid the foundation for the development of female art in the future. From the "body symbol" analysis, the female dance in different periods of change or a development of continuity, are highlighted in the history of the plight of her limitations and dilemma,has been from the other to wait and see the role of. Due to the limitation of the stage of the development of Chinese art history, Chinese women’s art of dance for the female "body symbol behind the metaphor, there has been no clearance, the as tools and enjoyment of the existence of the object, as the" metaphor "expression, seems to be the general common sense has been unquestionable, and is granted. Female body is regarded as a symbol of desire, as a tool in the male dominated, the body as a function of the object, become the expression of the ancient female dancer. In the long period of feudal autocratic repression, the development of dance art stopped, even to the revolutionary era, Chinese dance art is also passive dependent on the patriarchal society and become a puppet. Women did not have independent consciousness, until the contemporary female consciousness be brought up. With the female as the main body of the dance, how does it exist? How to develop? Oriental dance art for the awakening of the body, far more than the West for the night. Body as a symbol of the use of art to express their own life experience, but also has just started. The use of the"body", also can not get rid of the impact of the western trend of thought, and did not form their own unique expression. Differences in Chinese and Western modes of thinking, Chinese dance in the traditional culture of the sturdy under the influence, if it is to receive a western art theory and practice, will encounter a barrier. Western women’s awakening earlier, artistic practice has also launched under this kind of background, and Chinese women has not formed independent and complete independence, of "body symbol for the characterization of the dance art, still remain in a state of body metaphor, but also experienced a break through the predicament to the liberation of the period.Compactness, male perspective from color art lust to transform itself, art itself means the development prospect of diversification of the broader dance art. Women,not just as the object of desire of male horizon, is not dependent on male secondary sex. They are a group of independent consciousness and creative on the other pole. In today’s materialistic age, karaoke dance halls in the bottom is often used as synonymous with the vulgar and desire, and more elegant stage performances, but also secretly become consumer culture consumption object. As engaged in a dance work Zhiye, should try to find problems exist in the moment, with a keen sense of smell to detect dance will be or have already occurred to those things, and put forward the problems and solve the problem. Expression in this paper for dance face the life of,pursue dancer for the world, for the natural heart revealed sincerity, make arrests of dance art in the patriarchal ideology under the shadow of the liberated, allow the dancer is free to stretch my life, to embrace the bright future. For thousands of years of depressed women body art, to find the true meaning of their own life path.