On The Influence Of Peking Opera Wu Sheng On The Molding Of Male Characters In Chinese Classical Dance

Chinese classical dance formed after the founding of new China, the early 50 s workers for the development, innovation, national dance art,dance dance extracted from rich Chinese opera performances, refer to form of Chinese wushu, is studied, sorting, refining, and refer to ballet training methods, etc., set up a teaching material of Chinese classical dance. At that time, the process of Chinese classical dance has experienced from scratch,USES the training method of Chinese traditional opera, and to sort out a set of teaching material, borrowed from the drama of the dance movements,such as sorting out my business stuff. So, in the Chinese classical dance training basic skills, technical skills is inseparable from the Beijing Opera in my actions. Such as classical dance hand, footwork, jump over such skills and then the body charm has directly or indirectly from my dance. In addition, in the Chinese classical dance drama, a lot of Chinese classical ballet objective act of subject selection, characters and vocabulary related to my Beijing Opera.At present, for the Peking Opera performances and Chinese classical dance male role model in my relationship is weak. This article from the perspective of linguistics, dance body from both to a comparative study of multimodal formations, and consolidate a tributary of Chinese classical dance body languages.