Black Mandala Blooming In The Mirror

As a famous Korean film director Park Chan wook,his film director road through the start-up period(1992-2000)and maturity(2000-2005)and transition(2005-now)the three historical stages.According to South Korean modern social context,it is not difficult to find,at the end of twentieth Century the democratization of South Korea and the North South divide ethnic background becomes the key motivation movie"JSA" success,therefore "JSA" has become a key witness at the initial stage of film park.Also,provide inspiration and power in modern times of economic turmoil for the film to the social criticism and his humanity thinking.At the turn of the century,the establishment of movie film classification of South Korea’s recovery plan and makes a more liberal park space expression in black film creation.So the rise of the road movie Black park has become a microcosm of the rise of Korean film.From the aspect of the theme of the film,the movie theme park writing embodies the characteristics of his philosophical background.The expression of human nature,Park movie showing the nature of good and evil intertwined means.On the one hand,the role of identity and limit the underlying scene in the film is set to become the evil of human nature of the starting point,on the other hand,the opposing role is also reflected in the mirror control of film in the nature of good and evil coexist in view;on the expression of the motif of revenge on the park movie showing on the examine and speculative means revenge itself.On the one hand,the film will be given individual revenge behavior dilemma struggle and resistance significance,on the other hand,with the tragic aesthetic to build film characters from salvation to the destruction of the view of fate in revenge;the expression of love,lust form film shows his strong.On the one hand,the characters from physiological angle showed the plight of characters from abstinence to sexual indulgence instinctive behavior,on the other hand,the dual characters struggle spirit and body film reflects the inherent spirit of love attachment body.From the film narrative and visual perspective,the film formed a black aesthetic style park unique charm,embodied in the narrative structure,metaphor and Symbol Aesthetics of violence.In the narrative structure,good structure with multi angle and the park more clues to complete the film narrative.Using the level superposition of suspense and limitations from the perspective of the film is a puzzle like park in suspense;aesthetics of violence,stagnation of the long lens,rich color and film sound picture soundtrack by opposition let violence aesthetics in realism on the park yet gorgeous;in the use of the film symbol,a variety of the symbol of animal images in the movie characters emotions and desires park.Provides the spiritual analysis of ultra reality of the dream to create a movie subconscious park.In the film,the construction of the closed scene reflects the insecurity and dangerous situation of the characters in the film.In the cultural implication of the film,the film has a diverse Park culture.As the growth of local Korean Park Chan wook film director,the film’s Revenge complex is a powerful expression of Korean national"hate" psychology,ethnic customs show also reflects the Korean cultural workers inherent cultural consciousness;in the film for Christian elements Park,and the concept of embezzlement reflects the huge influence on Korean Christianity and,to build the family ethics with religious elements and the teachings of the way also reflects the cultural influence of Christian film in the park of the Confucian cultural background;in addition,in the park in the movie,subversive writing and female role of the roles of men and women consciousness shows gender writing strategy and the social cultural thoughts of contemporary Korean movies.