A Study On The Wonders Of China 's Large Documentary

In recent years, the creation of documentary works have been gradually mechanized, batch produced for modularizations, which result in the flood of visual spectacle phenomena pouring into the view of the mass. With the progress of science and technology and the improvement of people’s living standard, the culture consumption needs and aesthetic tendency of the mass have significant influence on the creation of the documentary. The brand new documentary production mode, "3D virtual reduction", "visual effects wonders" “novelty topic spectacle” and other technique expressions of spectacles have been emerged in order to cater to the consumption needs.In this context, spectacle has become an important trend in the development of documentary. Especially from the "the Imperial Palace" in 2004 to the "the Tip of the Tongue of China" in 2002, the tendency of spectacle has been presented in China’s large-scale television documentary particularly. And then, what’s the type and characteristic of China’s large TV documentary and what are the reasons for these changes? What’s the future development trend of it? What’s the “uniqueness” for the visual spectacle in documentary? What are the reasons for those transformations? What details should we pay attention to for these transformations? What details should we pay attention to in the process of creation? What is the relationship between the visual spectacle of documentary and the nature of documentary film? This subject just took the creation of spectacle as the entry point and large-scale televised documentary that has been broadcasted in the national mainstream with great influence in recent years were taken as the research sample to make the origin exploration for the spectacle phenomenon, summarize and analyze the performance of spectacle and make a feasible outlook and analysis for the future development trend.The paper is divided into four parts in total : the first part makes the origin exploration analysis from three levels-the transformation of the aesthetic concept in the documentary, the guidance for the requirement of mass cultural consumption and the digital technique promotion;the second part concludes the spectacle in documentary with three levels- narrative spectacle,visual spectacular effects and themes and contents spectacular and makes the in-depth analysis;The third and fourth parts put emphasis on the cultural dialysis and value revaluation for the spectacle in the documentary and make a feasible outlook and analysis for the future development trend.