A Study On The Style Of Late Ming

In the study dynastic history of Chinese calligraphy, the late Ming should be a relatively unique period for the value and significance of this history scholars view colorful, so this is the history of calligraphy theory research a priority. Late Ming social unrest in the era of great change, in this period of the history of calligraphy study must be linked with the prevailing literary thought and aesthetic thought, which makes research on the issue late Ming Dynasty calligraphy has a certain aesthetic value in the research process through history research and eventually rose to the level of theory, so I chose the late Ming cursive style of art as research subjects.In this paper, after the Late Ming and Late Ming Calligraphy made to define, described in detail on the late Ming cursive artistic development, focusing on the reasons for the formation of the Late Ming cursive artistic style, artistic characteristics and historical status and value. The main outstanding point of this paper is paper presents late Ming cursive artistic style and traditional art style confrontation and integration issues. Throughout the entire history of the ancient Chinese art of development, we can easily find the Confucian "and" has always been a central concept of the concept of feudal society. In the history of calligraphy, Wei and Jin charm,powerful Tang Dynasty, Song fugitive, would have been in the pursuit of Calligraphy "in the US," developed to insurmountable heights. Late Ming Calligraphy break the shackles of traditional ideas in a pen, guitar body, the rules, Mexican law and aesthetic style has undergone tremendous changes, long pieces of giant system instead Letters Letters, dripping changing ink,bizarre shape, unique layout completely break the traditional mode of Calligraphy, a time of famous men. Then the changes come from? How they occur and act on emotion creators thinking? Late Ming calligraphers and how to accept this change in the formation of this aesthetic fashion it?The first part of the article to the late Ming dynasty aesthetic fashion as a simple narrative characteristics and research development. The second part is the core of the article, summarizes the late Ming dynasty calligraphy is "odd" style formation of the subjective and objective reasons.The third part analyze the cursive script you late Ming dynasty calligraphy style, demonstrate the style of the late Ming dynasty calligraphy is "odd". The last part from the aesthetic point of view to explore the late Ming dynasty cursive style aesthetic significance and historical value.