Changing Image And Constant Philosophy - Kubrick 's Film Research

Compared to the praise Stanley Kubrick obtained in the film history, the number of movies he rarely taken. However, if not to say that all of his works, most of Stanley Kubrick’s films have become the masterpiece of film history. Now, when we talk about Stanley Kubrick films, we would say that these films are very good and even very great. But we must understand why these works are great, and this is our greatest respect for Stanley Kubrick..Research object of this paper is Stanley Kubrick’s thirteen films. Relevant theories of film theory, aesthetics, philosophy, film studies and other relevant theories. Literature research method, content analysis, summarized the methods and other methods to analyze Stanley Kubrick’s film, to make the results more systematic. Summarized by Stanley Kubrick’s artistic career as well as the narrative Stanley Kubrick works of art, visual language, movie themes and other aspects of interpretation and commentary, trying to extract the induction Kubrick unique film concept, director and profound thought.In the introduction part describes the background and significance of topic selection. The study on the status of Stanley Kubrick’s films of the sort at home and abroad in academic circles.The most significant impact of the “Future trilogy” as a node, several of these works is summarized and analyzed it with the contents of this paper is proposed by combining research methods and feasibility analysis. The first chapter of the paper provides an overview of Stanley Kubrick’s artistic career, and summarizes the characteristics of Stanley Kubrick’s films. The second part analyzes the movie theme Kubrick works, regardless of film themes and forms,styles and techniques in how changes in internal grand theme of human nature are a reflection of the consistent. Kubrick shot the films, the theme is almost always never change, is to discuss about human nature, which is full of pessimistic Consideration for human civilization and human defects can not climb, even nothingness of life The third part of the chapter describes the Stanley Kubrick’s movies. From the perspective of narratology, we analyze the Stanley Kubrick classic Hollywood genre subversion. Make the point that Stanley Kubrick’s film has a style characteristic of postmodernism, and in the context of postmodernism analyzed adaptation law narrative structure of the film, rhetorical strategies and literary works. Noted views that Stanley Kubrick’s film has the fantastic features. The fourth chapter of the thesis of the movie viewing language as object of analysis, including the spatial and temporal setting of the film, the footage and picture light, the color combinations and the background music. Kubrick film’s visual language has ultimate stylized features, and stylized to highlight the inherent external morphology profound themes. The fifth chapter of the thesis summarizes Kubrick nearly five decades of film-making path. Kubrick shot the film works not only with a sense of the level of film art, but also has broad and deep philosophical significance level. Noted Kubrick’s films have absurd situations atmosphere beauty. Although the era of constantly evolving, Stanley Kubrick’s films still have a great influence and creativity.