On The Change Of Wang Guowei 's Tragic View And Its Theoretical Origin

It can be said that Wang Guowei is the founder of China Unicom of Chinese and Western aesthetics since twentieth Century. He not only advocated to learn western advanced culture and to their own actions to spare no effort to will of Chinese traditional culture and Western culture fusion, formed the eclectic, khanazir Baichuan aesthetics thought. From this point he is also the founder of modern aesthetics Chinese. Wang Guowei in 1904 "comment on a dream of Red Mansions" in Schopenhauer’s philosophy and aesthetics to evaluate traditional Chinese literary works, "a dream of Red Mansions", and that it meets Schopenhauer put forward "three kinds of tragedy" in the third, praised it as "tragedy of tragedies". And after several years of the drama of the song and Yuan Dynasties, "Wang Guowei and fixed before the tragic thought that Yuan zaju tragedy will be more" dou "and" orphan "as" column in the world Dabei drama, nor shame "masterpiece. Wang Guowei as the history of Chinese literature first proposed "tragedy" of the concept of scholars, through the review of a dream in Red Mansions and the drama of the song and Yuan Dynasties, "these two works interpret the concept of tragedy, theme and content, tragic spirit, tragic value problem, formed a relatively perfect tragedy theory system. But in the past, scholars tend to have a general view of Wang Guowei’s concept of tragedy, and ignore its tragic concept that there is a constant maturity and perfection of the process of change. This article attempts from the review of a dream in Red Mansions and the drama of the song and Yuan Dynasties, the two works of start, changes in discussing Wang Guowei’s theory of tragedy and its theoretical origin.There are four parts in this paper:The first part:from the traditional western concept of tragedy and the comment on a dream of Red Mansions "and the drama of the song and Yuan Dynasties, Wang Guowei’s tragedy theory for roughly briefly talk about view of western tragedy and Wang Guowei’s view on tragedy.The second part:from the four aspects of the change of research method, concept of tragedy, tragic spirit, tragedy utility value respectively to talk about Wang Guowei’s tragedy view changes.The third part:the reason to talk about Wang Guowei’s view of tragedy from the change of his life experience and the origin of Chinese and Western theory.The fourth part:to the drama of the song and Yuan Dynasties, "the tragic thought of focus, from China" s tragedy "an important measure scale, tragedy and different from the traditional western tragedy three types of these two aspects to talk about Wang Guowei in traditional western tragic thought breakthrough and tragic experience in China.