A Study On The Idea Of ​​Seeking Truth From The Northern Song Dynasty

Song dynasty is the highest stage of development of China’s feudal society, the two song period of the height of the material civilization and spiritual civilization and the entire historical period of feudal society in China, can be said to be unprecedented. Landscape painting through the development of the five dynasties to the northern song dynasty has been quite mature. Northern song dynasty period, the landscape painting in a "realistic" concept, and lead the trends of the development of landscape painting in long time. The concept of "truth" the projection on the landscape painting creation, show the painter in the pursuit of the objective world nature.This concept is in Confucianism, Buddhism, Taoism three rise under the function, and husband of the northern song dynasty, literati artistic ideas and aesthetic orientation has a great influence. And the concept of "truth" in the northern song dynasty is different before and after the period, this is different from the courtyard body landscape painting to the change of the literati landscape painting, is the pursuit of "landscape" true to the pursuit of "true character". So that the northern song dynasty landscape painting breakthrough painters paint and the cage of imperial court decorative painting and imprison, sentiments and become an important means to express feelings, and scholars.In this paper, the concept of "truth" from three aspects, namely the origin, performance, value and influence. And targeted for difference of three aspects:research methods, through to the northern song dynasty Confucianism, Buddhism, Taoism three ideas grasp for the idea of "pursuing" the rise of the search for reasons and theoretical basis; By analyzing concrete works, inspects the northern song dynasty courtyard body landscape pursuit of "landscape" and literary landscape pursuit of "true nature" and its representative figures and forms; Through to the northern song dynasty landscape painting "truth" values and its status in the Chinese painting and landscape painting’s influence on later generations. In this paper, from the northern song dynasty landscape painting schema style and painting language characteristics, to study of the northern song dynasty landscape painting concept and pursuing the form of courtyard landscape paintings and literati landscape painting, on behalf of the painter as well as the similarities and differences of each style and the changes of the concept of "truth". Looking for from the song dynasty landscape painting characteristics of natural landscape painting in the contemporary form of conversion and transmission of spiritual values, and hope through the study of the concept of "truth" to inspire and help the present.