Variations Of Color And Ink: The Coexistence Of Green In The Infancy Of The Six Landscape Paintings And Ink Tendency

In the Six-Dynasty-period, the landscape painting is the first step towards its virginity, however, even if such a virginity, and also has a distinct personality characteristics, namely green began to coexist with the tendency of ink. The reason is multifaceted. The place suffered the Six Dynasties, the literati "country in the world"changed ambition into naught, and for self-cultivation Regardless, since suitable for landscapes Linquan. In a relatively leisurely life, Scholars class of flesh littered the temperament and aesthetic qualities prompted them to Pomo, to create landscapes, and even pick up the brush with the natural color of Dianran. Life is like ants in the society, "for example, Chaolu, to suffer more," the lament of Health as a heavy mood of the times, and therefore, many people opted for "why not drink wine, linen-Wan and the" way of life. China and the United States as of this life, and scholars have the character of the integration. This performance features in the landscape paintings, that is closer to the true nature of the green landscapes are favored. In a relaxed mood Hui wrote natural state, Eer, it is the decent work Qingli We are seeing in the landscape paintings infancy, this new faces once dominated the art world.On the other hand, a profound cultural accomplishment of the overall class scholars on the life of a thinking, resulting supernaturalism, and the metaphysics of the spirit are fit the spiritual connotation of ink landscape painting, a water - and-ink landscape artists explore the profound cultural soil. However, the development of artistic skills lag behind, making ink landscape painting to the development of the real Tang later, but the Six Dynasties such a cultural background and ink landscape is extremely anastomosis.With the rise of Buddhism in the Six Dynasties, and the Buddhist image of landscape painting in the landscape has become an important component of the subject matter, and a direct impact on the Chinese painting. It Shiqing a lot of bright, green stone of the Chinese people even refreshing, but also better performance of the natural landscape, landscapes embryonic stage gladly accepted by the people, green painting in the Six Dynasties spread to the other.Buddhist murals in the green color of green landscapes birth, and full of philosophical teachings of Buddhism also deeply affect the ink landscape formation and development, Buddhism rational way of thinking inspired the artist to explore the nature of this truth, the Buddhist philosophy of the rich Break language, is a beautiful picture.Scholars created the awakening of the natural beauty Xintiandi. Scholars in the Making Friends, in the manor life Shenmiao not feel natural beauty of the art landscape poetry, painting, of the attitude of my closest pistachio financial landscape, the landscape in the release of the true self nature, the landscape poems by Shufu, through landscapes to entertain the situation. Landscape Poetry, the development of the landscapes have a positive impact. Landscape Poetry embodiment of the author's wisdom and passion, nature has been selected to moving people, some of the richest features to be described. The landscape poetry as a source of landscapes based, no doubt works out has nothing to do with the theme of the content, so that a more sincere expression of the feelings of focus. On the other hand, some artists have a rare opportunity envious?, From landscape poetry is its smart choice. Furthermore, even though there are leisures of the Mid-Autumn, paint from memory, it is inevitable that not smug, there are specific reference to describe the landscape features poetry, can help arouse memory and imagination.It contains, the Six Dynasties period has been a lot of landscape painting works, but has not retained an independent works, it is not a great regret. At that time, we can only from the landscape as a background figure painting subjects that period to show the landscapes look. Juanzhouhua in these subjects, and the grotto murals have appeared in the tomb murals, the former two as the main part, the authors focus of Juanzhouhua murals in the caves and mountains and rivers theme, from these paintings, we can see the landscapes have been considerable development, especially in the form of green landscape, in which occupies a prominent position.Dynasties have been the difference between green and ink trend with a profound impact on the development of Chinese landscape painting. As landscapes sprouting on the nature of the simulation, to make the development of early landscape paintings mainly green landscape, but because of Confucianism and Taoism in China complementary cultural spirit, as the Six Dynasties to root mainstay for the Metaphysics of the philosophical foundation of ink landscape, the landscape will be doomed ink China's feudal society in the form of late become mainstream culture.