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On The "Wide And Far" Of Chinese Ancient Landscape Paintings

Posted on:2017-04-20Degree:MasterType:Thesis
Country:ChinaCandidate:Y Y WangFull Text:PDF
GTID:2175330488957476Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
"Rich" of aesthetic category is important in Chinese landscape painting artistic conception.Originated from ancient landscape painting of the "rich" in watching the universe, to explore natural the cognitive process of artistic nature. "Lao zi", "zhuang zi" and "the book of changes from" the universe "of" tao "as the starting point to philosophical exposition, wide away from philosophy level," rich"by size, with or without, false or true, Yin and Yang, such as motion law of the universe and the dialectical existence, the nature of its existence is the broad freedom like outside of carefree leisure. "Rich" since the Chinese landscape painting as has influence the composition of the picture and visual effects. Since the song dynasty Korea compensated in the landscape of pure yuan set,proposed the aesthetic concept of the "rich", "rich" aesthetic significance to deepen. Since from the mid and late northern song dynasty to yuan dynasty, "rich" of it becomes one of the tables by exposition of Chinese landscape painting.
Keywords/Search Tags:Rich far, landscape painting, the song dynasty, yuan dynasty
PDF Full Text Request
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