The Application Of The Composition Form Of Landscape In Song And Yuan Dynasties In The Creation Of Contemporary Landscape Decoration Paintings

The landscape of Song and Yuan Dynasty is the epitome of Chinese aesthetic art.Both in theory and in practice,the landscape of Song and Yuan Dynasty has added a strong brush to the development of Chinese art and is a treasure in the treasure house of Chinese art.The unique aesthetic artistic conception of mountains and rivers in Song and Yuan Dynasties can provide us with endless inspiration.In the new historical period,we should learn more from the tradition,find the content that resonates with our own creation in the tradition,develop on the basis of inheriting the tradition and connecting with the current reality,and form new content.Whether in theory or in practice,the landscape of Song and Yuan Dynasty is worth my study.More importantly,with the attitude of learning,we should understand the reasons and elements that formed the unique artistic conception of the landscape of Song and Yuan Dynasty.These elements are embodied in our own decorative painting creation and have inherited and developed.This paper chooses the landscape of Song and Yuan Dynasty as the main research object,mainly because the Song and Yuan Dynasty is an important stage of the maturity and development of landscape painting,so in the construction and expression of "composition form",the landscape of Song and Yuan Dynasty can provide a more complete interpretation.At the same time,the theory of landscape painting was completely constructed in the Song and Yuan Dynasties.The composition pattern,space concept,virtual and real treatment and color application of the landscape in Song and Yuan Dynasty are totally different from those of western traditional landscape painting and modern landscape painting,and these differences constitute the unique "artistic conception" beauty of the landscape in Song and Yuan Dynasty.What I need to do is to explore the artistic conception in the composition pattern of the landscape in Song and Yuan Dynasty and apply this artistic conception to myself.In the creation of landscape painting.Therefore,it is a kind of artistic conceptionreconstruction,learning is useful to oneself,leaving behind the "essence of artistic conception" in the mountains and waters of the Song and Yuan Dynasties,and has some innovation and development in it,forming its own manifestation of landscape decoration painting.The first chapter of my thesis is an introduction,which explains the background of my research and the significance of the research,and chooses the theme of my own creation as decorative landscape painting.The second chapter mainly introduces the historical and cultural background of landscape painting in Song and Yuan Dynasty,gives a basic overview of the maturity and development of landscape painting in Song and Yuan Dynasty,explains why landscape painting can mature in Song Dynasty,and expounds some aesthetic ideas contained in landscape painting in Song and Yuan Dynasty.Through the discussion of the second chapter,we can further understand the origin of the unique composition of landscape painting in Song and Yuan Dynasty.Because.The third chapter mainly elaborates the expression of artistic conception beauty in landscape composition of Song and Yuan Dynasty,and lists three schools of landscape painting of Song and Yuan Dynasty as examples.The fourth chapter mainly elaborates the influence of the composition of landscape painting in Song and Yuan Dynasty on modern and contemporary landscape painting.At the end of the fifth chapter,I mainly elaborated my reference to the landscape of Song and Yuan Dynasty in the creation of contemporary decorative landscape paintings.