On The Interpretation And Reconstruction Of Blanking In The Animated Film "ZOOKS"

The "blank" comes from the traditional painting of China, in the development of China in traditional philosophy "without phase". Widely applied to the field of traditional Chinese painting and calligraphy, ceramics, poetry creation, and so on, has become a unique art style. Along with the development of integration and innovation of Arts and culture in the world, the "blank" concepts are constantly updated and extended. It not only limits in the creation of traditional Chinese painting and calligraphy, and in the literature, contemporary painting, theater, drama, film and television, animation, design, photography... And other areas are being used for reference and absorption, and the reconstruction of the expansion of this unique form of art style.This thesis discussed the "blank" is all can be used in the film and television animation in the process of artistic creation and the produced positive significance of aesthetic theory. It not only exists in the picture, it can be found in the plot structure,narrative way, music sound effect, action performance and so on. This essay is divided into five chapters in the structure. The first chapter analysis the definition of the concept of "blank" and something beautiful in the "blank" origin and development.The second chapter briefly describes the relationship between guidance is studied in this paper, the animated film "ZOOKS" Introduction and the "blank". The third chapter from the elements of the film and television animation in the picture of the "blank" function and principle method. The fourth chapter from the audio-visual language of "blank" to analyze the narrative structure, acting and music sound the "blank" rules. The fifth chapter from the acceptance of aesthetics of "blank" the aesthetic thought and the audience’s aesthetic and psychology accepting research and analysis.According to the "ZOOKS" animation creation practice, it is not difficult to find the "blank" implies all different part of the film and television animation. This essay reveals the potential relationship between "blank" thought of traditional and modern film with television animation products. Also, in essence, to improve the aesthetic value and cultural connotation of film and television animation.