| Bai Hua’s writing process can be divided into three periods: from 1979 to 1992,Bai Hua got into contemporary poetry and continued to mature, his fierce "acceleration" lyric and “slow” rhythm of hidden are key during this stage;From 1993 to 2007,Bai Hua "hides" from the contemporary poetry and gets into the dormant period,during this period of time, the book was written in 1994 the left: the lyric poet of the Mao Zedong era reviews creative experience before a period and poetic situation with a attitude of historical presence,at the same time, Bai Hua began to put more effort into theoretical research and Study on the traditional culture; Since 2007, Bai Hua "return" poetry and caused extensive discussion, Shuihui Xianlv- 1642- 1651: Mao Pijiang and Dong Xiaowan, “Shiji” series, Daily beauty and so on are trying to open up the possibility of writing poetry. At the same time, Bai Hua self-contained poetics support own writing in the direction of theory.throughout Bai Hua’s creative performance, he is gradually moving towards tradition, and foreseeing the future of poetry writing in tradition. Interpretation of the Bai Hua and his works with the way of literature and archaeology from a diachronic and a synchronic viewpoint,emphatically on the rheological process of Bai Hua poetry style,and see Bai Hua creation of nature from close reading.In this way, not only can understand Bai Hua from macro and micro perspective, but also expand the breadth and depth of Bai Hua’s study.This paper is divided into the introduction, the main body of the four chapter and the conclusion, a total of six parts.The introduction, explains the research origin, and reviews the previous research achievements of Bai Hua.Chapter 1, it is the initial part of the whole paper.Emphatically, confirmming his identity as an outstanding poet from the Bai Hua’s "special" character and the awkward position in the history of literature, and clarify the reasons that the existence what Bai hua is a man’s body "a woman’s heart".Chapter 2, it is unscrambles Bai Hua’s career of writing poetry before 1992. "Afternoon" passion is the key of his poems can be gushing out and is recognized, he constantly roaming and continue to move forward under the influence of "youth culture", and when "summer" end later,he entered into the past, the realm with the memories and slow. Discussing the left: the lyric poet of the Mao Zedong era is a action that further confirm the Bai Hua identity as a poet.The shadow of history shows in the course of its publication that various twists and turns.Chapter 3, it is the focus of this paper.After describing the Bai Hua’s writing before the new century,Shuihui Xianlv opens other dimension in his writing career, but the open is a result of the early accumulation.Analysing Shuihui Xianlv- 1642- 1651:Mao Pijiang and Dong Xiaowan, “Shiji” series, Daily beauty and Riri xin magazine through the Close reading theory to show Bai Hua creation highlights.Chapter 4, discuss Bai Hua’s poetics. "Afternoon" and "summer",how shows make Bai Hua "acceleration" and the slow pace of the "culprit" ? Return type writing that pursuiting for pleasure and sound of poetry, how to become possible? how to determine the direction of poetry writing? what inspiration gave Bai Hua in this area of Jiangnan ?... |
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