A Study On The Thangka Art In Wutun Village, Qinghai Province

This is a thesis about the people in the rebgong thang-kha art, It is about the thang-kha artist in WuTun village, thang-kha is a practical art form which reveals its own religious thoughts. Based on humanic and by indexing the art, the author researches the essence of thang-kha through its biographical lifecycle and its interaction in the historical social background. It tried to start from the artists themselves and the relation of "people and objects", emphasizing the significance of people and trying to present an artistic history in a cultural concept. Field investigation had been used for researching the social and production lives of the local artists in this thesis. And discussed about the thang-kha artists’both holy and common world views through their religion.According to artist’s statement in this article, it clearly shows the social background of painter’s family and his subjections. Besides, it presents the interactive relationship between apprenticeships and training process and away from home and mobile groups. It also supplements the limited knowledge. Monks and laymen live in harmonious with each other. On this basis, we explore the social position in n pursuit of "art" as the structure of the connection mode. At the same time, the writer are trying to conduct a survive on WuTun village in Qinghai Province and the fields of Tang-kha artists. Taking the oral account of artists’and inherited image as material, showing the mysterious essence of Thang-kha art from the character history. Depicting a magical view of Thang-kha artists, art practice and social relationship an learn from the text and images to convey the personal memory, writing an article on the Rebgong Thang-Kha Art Anthropology thesis.