Yunnan Dai Paper-cut Art And Its Extension Process

"The Dai nationality paper-cut " and related "the Dai nationality handwork paper making " are that the first group of 518 national grades Materialization of the intangible heritage which State Council announces on May 20,2006. the article has systematically expounded and studied. "Yunnan the Dai nationality art of paper-cut and their stretching handicraft" by historical material retrieval inquiry and Dehong, Lincang, Xishuangbanna Dai three major settlements of field research, and use of systems analysis method, induction, comparative law, and other research methods.Yunnan the Dai nationality art of paper-cut and their stretching handicraft " systematically expound and study. Dai paper cutting and paper-cut central plains are intricately linked, through India and Myanmar, Vietnam and so on into the Yunnan Road, Yunnan Dai inherited Zhongyuan traditional paper-cutting and became the Dai community life in the service rites, worship, and so on New Year customs matters carrier. Since the Dai nationality believes that Buddha, art of paper-cut become also surely the Theravada Buddhist South-carrierr and brought up a number of paper-cut artist who not isolating self from farm work.Thesis style characteristic from Chinese tradition paper-cut school, pattern from paper-cut composes, from inside and outside is different from the province area nation art of paper-cut comparison, explain the characteristic that the Dai nationality art of paper-cut Smriti Chinese tradition art of paper-cut, with India and Southeast Asia culture an exotic atmosphere and, become one exotic flower of China art of paper-cut treasure-house. Take the Dai nationality tradition art of paper-cut as source derive three branches out:With bamboo thin bamboo strip, the framework pastes up pricking a handicraft closely to the color that paper-cut pattern decorates; Take paper-cut pattern as bottom appearance, apply again with color line embroidery handicraft; Carve gimmick with the back photoxylography, misses and does not print paper-cut pattern with gold powder miss and not printing handicraft in the buddha temple wall and the upper water gold of beam column.this article study them from the process, modeling, design characteristics.Research papers relating to history, ethnology, arts and crafts, design arts such as cross-disciplinary study. Marrow is a basis with antiquited the Chinese nation culture, the face covering to one is broad, various art of paper-cut of pattern analysis, refines and is summed up as, arrange out a set of the Dai nationality paper-cut lines-like artwork material. And the Dai nationality paper-cut pattern composes a form, content artistic form go along such as subject matter, color composition analyses induction, permeate external lines appearance art manifestation, announce to whose plain mellow national culture accumulating intention, paper-cut protection, Smriti and exploitation have carried out investigation and discussion on the Dai nationality. Put forward in the protection of the market, the protection of heritage and the Dai paper cutting techniques, the protection of their intangible cultural heritage is an important part. The paper wealth of research and development of history, ethnology, arts and crafts, design arts school and many other disciplines, modern design of the rich, Yuyishenke pattern, designed to promote the arts school nationalization, the development of localization.