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Zhao Zhijian Monument Faction Causes Of Calligraphy Practice Their Style

Posted on:2012-11-08Degree:MasterType:Thesis
Country:ChinaCandidate:Z CaoFull Text:PDF
GTID:2205330332992910Subject:Calligraphy theory
Abstract/Summary:PDF Full Text Request
Qing Dynasty in the development of the long river of Chinese calligraphy is an extremely important period. Experienced a Han Chinese calligraphy, Tang, Song, and several other peak, the development of several increasingly perfect. However, the fact Han Li, Rubbings, Jin posts, Tang method, the prevalence of Italian Song in the whole history of Chinese calligraphy, calligraphy in general are based on a single style running through a particular historical period. While at the same time really to turn the development of wind rubbings as a mainstream book, only in the Qing Dynasty calligraphy.Zhao Zhijian is one of the representatives of this period, he's accomplished in calligraphy is multifaceted, involving both real grass scribe seal. He seized the North Monument Statue of harassing the fierce side-hung, to relentlessly pursue the vitality and vigor flew attitude, and that efforts to expand the seal, clerical script body in the field, in the late Qing Dynasty calligraphy is unique, as the monument opened Calligraphy a new style of approach. In this paper, research, comparison, analysis and other methods of Zhao's artistic life, Monument Calligraphy practice calligraphy and Causes of tribute and other aspects of the comprehensive study.
Keywords/Search Tags:Zhao Zhijian, artistic life, style ubbings, fusion
PDF Full Text Request
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