| Back to the Three Kindom Period in ancient China, Ruan Ji and Ji Kang were both the famous thinkers,litterateures, musicians,and the top leaders of the Seven Virtuous.Their detail thoughts of musical aesthetic were emphasized and deeply studied by many schilars in various historical periods.The Ji Kang's famous work,Music without Grief or Joy Theory,were always studied by lots of people.We got more comprehension of Ruan Ji and Ji Kang by comparing their musical aesthetic,and made a case study of Ruan Ji and Ji Kang comparision in their musical thoughts in same historical background.The first part of our study is about the life story of Ruan Ji and Ji Kang,and their musical aesthetic thoughts.The second part is comparision of their musical aesthetic thoughts.We hold that they were both affected by the Chinese metaphysics and the Taoism in the Wei and Jin period,but they were more different in their musical thoughts,especially their natural view and He view.In the third part we analysised what caused their differency and homology in musical thoughts,and we holded that the social-political-reason and differency in life,character caused the differency in their musical thoughts. In the end,we made our conclusion that Ruan Ji's musical aesthetic was ethical and Confucianist-like,while Ji Kang's musical aesthetic was pure-aesthetical and Taoist-like.We consulted Metaphysic Mechanism and Capacity wroted by the famous Confucianism scholar Zong San Mu,and quoted some of his theroies which has been published in works.Based on plenty of achievement made by others,we had our special point and analysis music-aesthetically in detail,and made a replenish part to the view point of Zong San Mou. |
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