Study Of Three-dimensional Movie

Film "Avatar" detonated three-dimensional film hot, it brought shock, also sparked speculation. In fact, three-dimensional film had already born in the early 1950s, why until recently was it suddenly arisen? Will three-dimensional film create a new movie language? ... The study about three-dimensional film has just started, both at home and abroad, and most of the research spend at a technical level. Three-dimensional film is having more and more influence on society. It has gradually accomplished a new view of film, a revolution of film and also a commercial success. Berlin film festival in 2011 shows the huge potential of three-dimensional technology and the possibilities for movie art. This article will explain the birth of the three-dimensional film and development of revolution and also its far-reaching significance. In China, many films which release hastily are putting on a three-dimensional technical coat, most of them received a poor box office.. This blind worship of technology, however causes frenzy consequences and it still continues, so about three-dimensional film studies and guide theories become very urgent. This article will introduce a new theory as a foundation, gradually elaborated for movie art and three-dimensional technology influence and significance. Firstly this article will briefly talk about the concept, principle and classification of the three-dimensional film, and analyze its differences from traditional 2-d movies, and then about the essential difference between monocular simulation and eyes, then the article will analyze the camera language about moving, scene, camera angle of three-dimensional film, and then explain how three-dimensional technology picture are built and point out that the three-dimensional film are based on "physical defects" and "psychology defect" roots and the put forward the method, this paper shows the future for three-dimensional film based on the current situation and the more thorough discussion about stereoscopic technology and movie artistic relations, which leads to wandering concept with a platform of motion picture arts. Gradually this paper elaborated how three-dimensional technology changes the boundaries between the film and the game, and explains a possibility of how a game type film changes into a movie type game. This last chapter of this paper describes the three-dimensional film of China, and its history, current situation and the development of three-dimensional film referenced to foreign experience, and also put forward by the dialectical perspective to view 3d technology for Chinese film art practical significance.Three-dimensional technology which differs from color, voice and digital technology is a complex and contradictory, it has been the well-meaning deceptive technique. This paper attempts to explore positive or negative meanings of three-dimensional technology which is hidden under the colorful coat, and also gradually demonstrates the significance of three-dimensional technology for film art: which is the profound significance to make film art out of the heart to chasing reality made by technology, and get rid of the technology problem starting to re-know its own unique aesthetics.