Research Of The New Cinema Total Theory Though The Realization Of The Space Sense In Three-dimensional Film

Three-dimensional movies quietly break into the Chinese market from 2008, a revolution in the three-dimensional film began. From the beginning of the"Journey to the Center of the Earth", entering the Chinese market from began, the three-dimensional film on the domestic market accounts for a significant proportion of the box office. International director James ? Cameron said: "2009 will be the first year of three-dimensional film." And then in 2009, he launched his 12-year-old creation,"Avatar", a record breaking 2.0 billion global U.S. dollars had came true.Decades ago, Andre ? Bazin discusses making the film made of ontology"cinema total"concept, conceptual points out the ultimate form of the film. In the huge box-office income and historic period of technological innovation, we have to focus a new era in digital three-dimensional film development, and to re-examine the film's development, that is"cinema total"myth. The history of film technology, is"cinema total", and under the conditions of this technological development, its impact on the development of related fields. The Myth realization process, developed to three-dimensional film is a complete implementation process of movie myth of visual imaging technology in the development of a revolution in it from the original labs like the stuff of a juggling more mounted the stage of history, and was accepted by the public.This article started from the technical point, and summed up the technological development of three-dimensional film images, imaging principles and production methods, and the number of times in the new period of development under the"cinema total". This paper analyzes the technology of the structure of the three-dimensional film image space form, which proposed a three-dimensional film image constructed technical characteristics of spatial form. And related theories, put forward the structure of the three-dimensional film image space form to meet the audience viewing the film's psychological needs. At the end, the author proposed the effects on the three-dimensional film imaging technology on the film and the development of related industries, and full of contemporary film theory to expand the field, that art form based on the stereoscopic film industry research related to the new direction.