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Image Shanghai - The City's Bi-directional Writing

Posted on:2012-01-25Degree:MasterType:Thesis
Country:ChinaCandidate:R Z LiFull Text:PDF
GTID:2205330335497506Subject:Film
Abstract/Summary:PDF Full Text Request
Shanghai is the cradle of early Chinese film in China a hundred years the film has a glorious history of the development status. Length film from the earliest, "Yan Ruisheng" prevailed since the nineties nostalgia of old Shanghai movies, Shanghai has become a unique video film phenomenon.This article discusses selected object Stanley Kwan and Peng Xiaolian, each representing the city interested in building the image of Hong Kong Shanghai and the Shanghai local Director:Stanley Kwan, has shot from the nineties, "Center Stage","Red Rose White Rose"and "Everlasting Regret", because of its background story, videos, text, video tone, style director, similar to the degree and consistency, can be classified as Stanley Kwan's trilogy written images of old Shanghai; and Peng Xiaolian, a native of Shanghai women directors Its reputation is very good, "Shanghai Trilogy " ("pretending not to feel ", "Shanghai","on the Hailun Ba") is sought from a practical level, writing out the spirit of modern Shanghai.Stanley Kwan and Peng Xiaolian this article and associated research as an independent individual, based on the building in Stanley Kwan and Peng Xiaolian in the image on the personal experience of Shanghai and the two shared overlapping "Shanghai Trilogy. " Chapter start with the relationship between film and cut into the city, after the feminist perspective in comparing the two films the image of the similarities and differences between women; second chapter from the perspective of narrative film, Stanley Kwan and Peng Xiaolian elaborate narrative strategies of different images. The former can be summarized as legendary narrative strategy, which tends to prefer life narrative; the third chapter, identity and self-awareness from the perspective of construction of deep psychological structure to the film, Stanley Kwan and Peng Xiaolian combined with a special personal experience, described the two Film expression of different identities;Ⅳstyle from the movies, on both the "Shanghai Trilogy " for a detailed and a general explanation. By the end of this four level two "Shanghai Trilogy " for the multi-angle comparison to radiation from the two Chinese films in the film and even the interpretation of Shanghai and Shanghai on image building, the development of modern Shanghai image Revelatory meaning.
Keywords/Search Tags:Shanghai Movie, Stanley Kwan, Xiaolian Peng, City Imagine
PDF Full Text Request
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